And—which is more—you’ll be a Man, my son! – “If” by Rudyard Kipling
Pint up, contents down, and I’m up, down the corridor. Drink then piss. Same old drill for an old soul. No need to spell it out. Quite a walk actually, for an ageing gent like me who’s really, really got to go, but I get there fine. In time. Double take on the sign. Notice the rhyme. Didn’t notice the sign before though. A little horseman with an oversized sombrero and a machine gun on the door of the gents. Supposed to be funny. So little effort in the rest of what goes for a boozer in this Monopoly-board railway station and there this six inch gun-toting Mexican lad on the bogs. They must be making sure the really leathered blokes still get the right place. Well, I’m not that gone. Not by halves. I push. Pull the next one, and it gives me four urinals, a sink and a single cubical with the door shut. Quite the drinker’s vista. Two gentlemen already there. One in the crapper. Pair of jeans resting on lime green trainers. Some old rocker at the far wall-mounted john. Leathers, raggedy beard, and a steely stare towards the poster at his front, which is adverting erectile disfunction.
A man like me. A place like this. All these ifs in my head.
You can try and drink away the ifs, but they’ll get you in the pisser. That’s the actual pisser, I think. When the ifs come for you in the pisser.
The raggedy rocker nods a hard-arse glare my direction. Spurs me into life. I take the second lane, so there’s one slot between this half-price Slash’s slash and me, while I’m not so bang up against the sink that this will turn into a problem. Not that anyone here is going to wash their hands, but thems the rules. Decorum, anyway. Me and the rocker, we’re both hoping no-one else comes in and has to tuck in between us, but we’re okay. For now. So, I hunt out my Johnson in these tight arse pants I got from Amazon about a month before the sixty seconds that I’m drinking so shit hard not to think about happened.
I yank a boxer leg up first, which is too long to get myself under, so I try to unfathom the intricacies of a knob-tunnel system that’s more impenetrable than the Tora Bora caves. This might be taking a while, but I’m gazing forward. Always look forward in the gents. Golden rule, and the poster at my eye level blurs into focus. It’s goading me to Be The Best, and I realise I’m far from the best, so far from my best. Haven’t been the best in me for so long. Don’t need an ad to tell me that. I got sucked into something for my boy. He was infinite. Perpetual. So much life in those gleaming eyes that it didn’t seem possible that he could be anything but there – couldn’t be anything by twenty and sharp and charming, always catching a ball or a cute girl’s eye – and I didn’t encourage him. He found that path himself.
Sure, he was playing up to his old man. Sure, there were footsteps. Boots to fill. An apple and a tree. Sure, he was imitating, emulating, coating himself in what he thought was the very best of me, only I never said he should go down that route. I never told him the person he should be.
In the pisser, here I am, playing that card as if it’s a get out of jail free.
Ha. There it is again. I’m a poet and I know it. A poet like all those messed up word-wankers that went before me with their drinks and their England. Take Kipling, my mirror. He wrote all that clap about being a man, then he bluffed his short-sighted son passed a medical and square into a cavalry charge, gifted the blundering vole the once in a lifetime opportunity to have a jog at a gun post. The national treasure never forgave himself. Funny that you learn that one at school. Funny, not funny.
“This country grinds you down.”
It’s the rocker speaking, breaking the rule of not talking to strangers in the gents. He’s pressing the dispenser as if he genuinely believes there might be some soap in there and it’s like time has slipped. I didn’t notice him move from the urinal and the thought strikes me that perhaps he’s God and Jesus is taking a dump above the lime-green trainers in trap two.
I wipe a stray tear. Guess that’s a more logical explanation of why he’s talking at me.
“Too fucking right,” I say.
As I do, the room is filled with the sound of the toilet flushing. It echoes about the bare-walls until it feels like the place is going to be filled, and I imagine drowning in there. I picture myself floating above the urinals and the sink, being washed higher until my head knocks on the ceiling and I smile at the rocker and take a last breath, which allows me a few moments under the tear and bog water, before the air seeps from my lungs and the darkness comes into my head, pushing away all the ifs with its milky-black ooze.
“Well, you have a good afternoon Buddy,” the rocker says. “Perhaps go a little easier on the sauce.”
I smile.
I’m about to say something when the cubical door opens, and the kid who comes out is about twenty, blond hair, slightly foppish, and one of those smiles. For a moment, I think it might be him. My boy. I think it might, and he looks across. Those eyes unchanged. For a moment, I’m flooded, dragged further beneath that boat load of ifs.
*
Al Crow works across fiction, creative non-fiction and poetry, exploring this challenged world and human fragility. Recent work is featured in The Last Song, Words for Frightened Rabbit; Masculinity: an anthology of modern voices; Last Light, an anthology of Apocalypse Poetry; Lighthouse and The London Magazine.