Shooter Flash: “Death of a Ladle Man” by Jet McDonald

Food had an algebraic quality in the prison canteen and Big Beef’s ladle was a large part of the equation.

X + ladle = Y

Where X was the most delicious part of any given meal and Y was the complete dish that arrived on any given plate. Although Big Beef’s ladle operated on an unpredictable scale, it was informed by clear mathematical principles, based on a system of nods, winks, and glass shards hidden in the palms of those with indeterminate sentences. Like most mathematical principles it hummed away quite happily beneath the surface of everyday existence without the need for explanation. To question how the ladle operated, or indeed to confront the operator, would be to question the integrity of an otherwise perfectly calibrated system. There was only so much meat and there were only so many scoops. Who had what could only be defined by the weighty apostrophe of Big Beef’s ladle.

So when he turned vegetarian and refused to man the stew bucket, the law of the ladle was thrown into a freefall of relativity that even the most erudite inmates found hard to grasp. Who would now judge the quantum of meat rationing? Who would explain the prison hierarchies that existed only within Big Beef’s muscly brain? Even the screws seemed restless, rolling the skeleton keys between their fingers like holy relics. 

The last straw was when Big Beef started listening to Leonard Cohen. There was only one vinyl record in the prison library, Death of a Ladies’ Man, and by common consent no one took it out to spin on the ageing turntable in the self-help section. The days were maudlin enough without the lugubrious poetry of a brooding Canadian. But Big Beef played it again and again and again.

The governor chose his moment. With two screws by his side he cornered Big Beef in the spirituality stacks.

“You gotta cut us some slack.”

“I ain’t for it.”

“No-one’s for it.”

“I mean I ain’t for no more Leonard Cohen.”

“Lose the double negatives.”

“I want more Leonard Cohen. Not less.”

“But it’s upsetting everyone.”

“I’m getting Love and Hate.”

The Governor peered curiously at Beef’s knuckles.

“The album Love and Hate. His Nashville period. Interlibrary loan.”

“If you don’t mind me asking,” said the Governor, with the kind of temerity that knows its place in the hierarchy of more violent mathematical forms, “why this sudden fascination with Leonard?”

“I speak with Buddha.”

“And what do Buddha and Leonard Cohen have in common?”

“Leonard loves Buddha.”

“And where did Buddha come from?”

“In the recreation yard. Next to Larry Lasso.” 

Larry Lasso was a brick tied to a rope, tied to a bag of drugs, that appeared over the prison wall on high days and holidays. The Governor and the other screws followed Beef back to his cell where he showed them the wall of bricks he had been building over the past year, one above the other; little quantums of material reality.

“You’re building a Buddha?”

“Nah. Buddha is in the bricks. Always the same. Always different.”

“I see.”

But the governor didn’t see. So he called in the chaplain.

“Why does Big Beef see Buddha in the bricks?”

“Buddhism operates under a series of contingencies in which each event is dependent on those around it. Every crime is a punishment. Every punishment a crime. Love is hate. Hate is love.”

“I see.” 

But the governor didn’t see. So he called in the librarian.

“Why does Big Beef see Buddha in the bricks?”

“Buddha believed in an interconnected universe hidden by a veil of consciousness. Part and whole are repeated again and again in Buddha and Cohen’s work, consummated in an ecstasy of ego death.”

“I see.”

But the governor didn’t see. So he called in Larry the Kebab.

“I think you might eligible for early parole.”

Larry smacked his lips.

*

The chaplain said they couldn’t build a wall tall enough to keep Big Beef in. So they had to use a wrecking ball to get him out. They played that Leonard Cohen record one last time as Beef made his way through the prison gates, his ladle by his side on the plywood base of the coffin. The small dent in his skull was echoed by the small dent in his ladle and had the fingerprints of Larry the Kebab all over it. But no one bothered to check.

“Friday night,” the governor told anyone who would listen, “is kebab night.”

“Freedom,” said the librarian, “is on a three-week loan.”

* * *

Jet McDonald is a writer, musician and psychiatrist. His first novel Automatic Safe Dog was nominated for a BFS Award. His second (non-fiction) book Mind is the Ride was shortlisted for a Stanford Travel Writing Award. His band The Woodlice have toured nationally and played on BBC 6 Music.

Shooter Flash: “Almost to the Point” by Jon Fain

After an early dinner on their last night in Provincetown, Rob and his daughter Mandy walked to the beach. Light reflected off the water, dappling the waves, and glimmered past a slow-moving boat, also lit up. There were mingled smells: grilled food, the sea, Mandy’s perfume.

The flash of Mandy’s phone reflected off her windbreaker. She’d barely spoken to Rob since he’d told her to stop taking empty water bottles out of the wastebasket. She would line them up on the dresser in their room, as if this was going to magically recycle them.

Besides her added height, she’d gotten moodier in the six months since he’d seen her last. She could switch on the sulk, a steady drip-drench. He didn’t need to share a wet blanket threaded through with I-Don’t-Want-To-Be-Here.

“If you’ve got something else you want to do, go ahead,” he said.

A staircase led from the beach to the parking lot behind the inn where they were staying, next to the sushi place where he’d watched her pick at her food. She could go join the kids from the night before, or maybe meet a new group on Commercial Street.

After she started to jog away, Rob called, “Not too late!”

She kept running on long bare legs, dark shorts, darker jacket, into the twilight. Fourteen was young, although sometimes not so. Forty-four was too, though also not really. 

The first time Mandy said she wanted to go explore on her own, he’d come out to this same spot, watched white sailboats anchored in the bottle-clear shallows. Then he’d walked along the water, the bay ruffling blue eastward. Ahead of him, a large dock, part of a complex of multiple buildings, stretched over the sand. It was a well-known cruising spot. The night before, after Mandy had fallen asleep, he’d considered it. Instead, he just remembered what it had been like under there. 

There was no reason to go there during the day unless you were a seagull or something looking for scraps. He’d taken out his phone and called his office to check on their progress with the new patient-focused software.

When she was eight, Mandy told Rob she liked that he was a dentist, because “people are scared of you.” At twelve, as Rob and Mandy’s mother Andi were splitting up, Mandy said that she’d read how a lot of dentists committed suicide, and she made him promise he wouldn’t do that after he moved out. Rob gave her some additional facts: her grandfather and great-grandfather, also dentists, had not done so. She said okay, maybe Grandpa, but since she’d never met her great-grandfather, how did she know he wasn’t lying? Like you lied to my mother, Rob thought she would say next.

Rob started walking the way his daughter had gone. He kept letting her go off on her own. They were supposed to be spending time together. 

When he came to the top of the staircase and into the parking lot, he was surprised to see her there. They met at the trunk of his car, as if they’d planned it.

“What happened?”

Mandy shrugged. She didn’t seem upset, just bored, or distracted. 

They went back to their room. Mandy had the bed and Rob the fold-out couch. He wasn’t being cheap, getting one room; he thought it would give them more time together. Luckily, there was a communal bathroom on their floor that was vacant most of the time while she was installed in their private one.

“Dad, did Mom tell you?”

“What?”

“Remember when you said I’d learn about life and death when I had a pet?”

He’d told her a lot of things. How could he not be a good parent? His patients were all kids. He asked them what flavor polish they wanted, bubble gum or mint? He played Santa with his gift bags of toothbrush, mini-toothpaste, and floss.

“Did you know Lila… We went to the vet and they put her to sleep?”

Andi had told him Mandy preferred to be called Amanda now, but whenever he forgot, she didn’t react. He hadn’t heard about the dog.

“I think she got sad when you left.” 

That was two years ago, he almost said.

 “Dad, is there something you want to tell me?” she asked after ten minutes passed, after he’d picked up his book.

“About what?”

“Why did we come here?”

“To spend time togeth—”

“Is there something you want to show me?”

“Besides that I love you very much?”

One reason that people came to Provincetown was surf-casting on Race Point. Rob thought it might be interesting to watch, if not actually to fish. But the weather had been cold for early October, and then it had rained. Mandy didn’t like that they would have to drive on the beach to get there. Cars and trucks on the sand were damaging to the environment. You might not encounter the dolphins your plastic bottles were endangering but you would hear the sand crabs cracking under the all-wheel-drive.

Rob turned on the TV. The screen showed the guide for all stations, and he scrolled through it. 

“Mom said you and your friend Ben met here, and maybe you wanted to show me the places you went.”

Andi would probably never forgive him. But would she ever stop trying to define for their daughter who he was? 

“Ben’s gone,” Rob said. 

“Does that mean you’re coming home?”

Speaking of suicide, he almost said.

He flicked through channels. Mandy went back to her phone. Outside, the tide was easing in. By dawn, the water would have risen under the large dock down the beach. Then, as the tugging of the new day drew it back, birds would hop along the wet-packed sand, beaks busy at the bubbles of buried things.

*

Jon Fain is a writer and editor living in Massachusetts. Some of his recent publications include short stories in A Thin Slice of Anxiety and The Argyle Literary Magazine, flash fictions in The Broadkill Review and Midsummer Dream House, micro fictions in Blink-Ink and ScribesMICRO, and a chapbook of flash fiction, Pass the Panpharmacon!, from Greying Ghost Press. Twitter/X: @jonsfain

Shooter Flash: “Drive” by S L Krutzig

The truck was Soda Pete’s pride and joy, pistol-silver and not a mark on it. He’d drive it three miles an hour round the high-school parking lot, engine growling so deeply you’d think it might pounce. Most girls – the prettier ones anyway – had taken a ride in that truck, but not Ida. She kept herself to herself and gave Soda Pete and all those other jocks a wide berth.

Still, she went to the football games like everybody else, cheering when the Roosters made a touchdown, smiling but shaking her head if a boy offered to buy her a hot dog or a slushie. Like her mama said – give a boy an inch and they’ll take a mile, and it was true. So Ida gave them no way in, and for the first two years of high school got a whole lot of sneers and jeers in return. Now, for the most part, the boys who’d eyed her and the green-eyed girls who’d noticed just left her alone.

But Soda Pete rocked up new this year, having moved to Kansas from Minnesota – hence the name, though boys sniggered about some other, secondary meaning. He hadn’t given up on Ida yet, having graduated from asking her out to hollering about her frigidity every chance he got.

Ida didn’t care. She had friends, the ones who didn’t care either. While most kids were obsessed with their crushes or the Friday game, she had her eyes cast over their shoulders, scanning for the world beyond high school. The world beyond Kansas.

All the same, for now this was the world she was stuck with, so after the game Ida walked down the track to meet Sass and Marcie-Lou at the field where kids gathered on Fridays. Without having to turn around, she knew who was on her tail when she heard the growling grow louder behind her, until it pulled level and Soda Pete leaned out the window on a burly forearm.

“Hop in, I’ll give you a ride,” he grinned. Ida shot him a quick smile in return, tight-lipped.

“That’s ok,” she said. “I’m alright walking.”

“What’s the matter, you need a limo or something? Don’t be scared, I’m not gonna hurt you. C’mon, hop in.” The field was coming into view. Ida gestured at it.

“We’re here anyway. It’s fine,” she said. “Thanks.”

Soda Pete scowled. “What’s the matter with you? You think you’re too good for anybody?” He threw the truck in reverse and shimmied behind her. Startled, Ida jumped aside, but not before he’d blasted the truck through a muddy puddle and sprayed her from head to toe.

“Stuck-up bitch!” he hooted out the window, roaring past.

“Jesus, what happened to you?” said Marcie-Lou as Ida turned up. Sass grimaced and rustled up some napkins.

“The usual,” Ida said, watching Soda Pete’s friends double over as he held court beyond the bonfire, leaning against his truck. The boys were on a high after their win. The mood was victorious, footballers high-fiving and cracking beers, girls tossing their hair and slinging glances. Soda Pete went to grab another beer and stopped to talk to Michelle along the way, whose flutey laughter floated over on the evening breeze. Ida started walking off.

“Hey!” called Sass. “Where you going?” 

Ida didn’t stop until she reached the open door of Soda Pete’s truck. No one paid her any attention; they were too used to making a point of ignoring her. She hauled herself up and, sure enough, he’d left the keys in the ignition. She slammed the door and turned the key. The moment his truck roared to life, Soda Pete noticed.

“What the—” he muttered, and started shouting, stumbling and slipping in the mud as he tried to race back. But Ida had the truck moving, and all Soda Pete and his boys could do was holler and watch as she tore around the field, Soda Pete red in the face and screaming bloody murder. Ida gunned the truck through the mud, girls squealing as the wheels sprayed up dirt and boys backing away. Ida hung out the window, one hand on the wheel.

“I thought you offered me a ride?” she yelled, skidding out of Soda Pete’s way, his face apoplectic, his truck decked brown. “I decided to take you up on it!” Even if she could only go round in circles, not quite sure how she was ever going to stop.

*

S L Krutzig is a reporter covering breaking news and government in Boise, Idaho. She has had short stories published in The Milk House, Revolution John, and PovertyHouse, and flash fiction in RiverLit. She was a finalist in the 2021 Hemingway Shorts Literary Journal Short Story Competition.

Shooter Flash: “The Power of Five” by Natalie Horner

If I don’t flick this light switch on five times, a member of my family will die. Five of us in total, one flick per person.

I don’t like odd numbers. If I flick the switch five more times that will equal ten, an even number. But that will be more than five times, twice more than the number I need. 

I have thirty seconds to decide before the clock strikes 5pm. Five o’clock is when I flick the kitchen sockets on to start dinner.

Time is not an odd number. 

Time is relative and how many relatives do I have? Five. 

Flick. Flick. Flick. Flick. Flick.

Dash for the kitchen, five seconds left. 

Flick-kettle. Flick-microwave. Flick-oven. Flick-steamer. Flick-coffee maker.

Clock strikes 5pm; made it in the nick of time.

I don’t even need all these things for tea. I’m only having five chicken nuggets with five splashes of ketchup. I could turn off four and leave one on. 

Four plus one equals five, maybe?

Yes, it’ll work. I haven’t done it before but the power of five is there. 

Flick. Flick. Flick. Flick. 

Nope, I don’t like it. Flick oven off. Five times. I guess I’m not having tea.

The phone rings five times before I answer.

“Hello, who’s speaking please?”

There are sobs. “John, John, John. It’s Mum, Mum, Mum.” Her power of three. “It’s your dad, dad, dad. He’s dead, dead, dead.” Her voice becomes a whisper.

“What happened, Mum? Tell me?”

“I don’t know.” More sobs. “Did you change with the power of five?” The world crashes. “Did you change with the power of five?” I hear the echo. “Did you change with the power of five?” 

*

Natalie Horner is from South Yorkshire and lives with her husband, son, and a cat called Puss. While continually adding books to her TBR pile, she has completed her first novel and is working towards publication. Twitter/X: @WriterNat1122

Shooter Flash: “Extramarital” by Dana Harris

They were sitting around the patio table beneath the fawning summer trees: Phil, his wife Manda, and her lover Dom Traynor, who had come over for dinner while his wife was away. Manda had prepared a sumptuous meal, as ever, and kept the conversation bubbling, topping up the lulls like champagne flutes. She was always in her element when entertaining. 

Phil was well aware of the true nature of his wife’s “friendship” with Dom. As long as it didn’t disrupt their marriage, however, he saw no reason to confront her about it. He worked hard, they had three kids, he liked his life. Why ignite a bomb fuse? He knew full well he’d neglected Manda emotionally over the years, so he was fine with turning a blind eye now. She always maintained the utmost decorum, outwardly.

Having served the coffees, Manda settled back into her wicker armchair with a satisfied smile. While all three admired the garden view, Dom extracted a cigar from his blazer and cut the end. Fireflies danced in the night air; moonlight glinted off the oily surface of the swimming pool. Dom leaned across the table to offer Phil a cigar.

“No, thanks,” he said, waving it away. “I don’t smoke.”

“Go on, darling,” Manda said. “You could have one this once.”

“I don’t smoke,” Phil said, bemused. Manda’s lips tightened. Dom leaned back and lit his cigar. Smoke curled away and melted into the darkness.

“Can you help me with the plates,” Manda muttered to Phil. As she had already gathered up the china and silverware from her side of the table, Phil picked up his plate and followed her into the kitchen.

“Why couldn’t you just take the cigar? Just to be sociable,” she hissed, rounding on him.

“Manda, I don’t smoke,” he said again, incredulous. “I don’t want one.”

“It’s not about that. It’s about being sociable.”

Feeling the heat rise in his chest, Phil turned and went back outside to the patio, Manda hot on his heels. Dom was flicking a thick end of cigar ash into the shrubbery, his feet up on a neighbouring chair.

“Go and find an ashtray,” Manda instructed Phil, who wandered back into the house and returned with a heavy crystal bowl from the library. The scent from the cigar was thick as woodsmoke. Phil cleared his throat as he settled back into his seat and wondered how long he should wait before excusing himself to watch the evening news. Even Manda couldn’t help but give in to a restrained cough.

Behind Dom, a grey plume of smoke thickened from within the ornamental hedge, becoming fully apparent only when a crackle of flame leapt out of the darkness, quickly licking at the drooping foliage of the surrounding trees. Manda shrieked as Dom lurched from his chair, knocking it over, while Phil snatched up his phone to dial emergency services.

The fire truck arrived in minutes, blaring its horn down the sweeping semicircular driveway and screeching to a halt beside the tower of burning pines. The trees beside the house now formed a single flaming torch, wrathfully licking the clapboard siding while Manda wailed and clutched her face. 

“I’m so sorry,” Dom muttered repeatedly, looking stricken, while Phil stood by grimly and watched the firemen swarming between their truck and the inferno, yelling and training their hoses upon the blaze.

“Well,” Phil said, turning to his wife. Ash, floating around them like snowflakes, had settled on her coiffed hair and turned it grey. “This is sociable.”

*

Dana Harris has published short fiction on Quick Brown Fox and recently completed the University of Toronto’s Creative Writing Certificate. Alongside her day job as a paralegal, she is currently working on a post-apocalyptic romance novel. She lives in Toronto.

Shooter Flash: “Sabbath” by Rebecca Klassen

Mum called it Suicide Sunday and had done so since she was a girl.      

‘A day so boring you wanted to kill yourself,’ she told me. I wondered if other parents said similar things to their teenagers. 

Throughout her childhood, she’d adhered to the Sabbath traditions of duty and no play, though this was more under her parents’ guidance than God’s. Post church, she would sit on the stairs in her best clothes and listen to the heathen neighbour children through the wall, blowing recorders and laughing. She’d been round there once for tea. The mother had given them sugar sandwiches and let them gouge holes in the lawn with sticks. 

‘Mind my bloody azaleas,’ the mother had told them. Mum had repeated ‘bloody’ to her mother and had never been allowed back.

When my grandfather died, Mum was a freshly divorced, single parent. With grandfather gone, Nana expected Mum to attend Suicide Sundays again with me in tow. The new criteria no longer required Mum at church, though we were told it would be nice if we came along once in a while. Only knitting, reading, and watching Songs of Praise were permitted in Nana’s chintzy sanctum. Watching other programmes risked a brazen ‘hell’ or ‘bugger’ slipping into the atmosphere to sully the day.   

One late autumn Suicide Sunday, I pivoted round and round on my backside in front of Nana’s gas fire, hoping that, like a rotisserie chicken, I would eventually cook on all sides. Nana worked her knitting needles. Mum stretched so that her feet almost touched the fire’s orange bars, the heat making her tights give off a plastic smell. I watched Mum nodding off, imagining having to grow up here every day. A new family lived next door with the sounds of computer game music, squabbling, and giggling coming through the walls.   

As the gas fire reddened my cheeks, I suddenly stopped pivoting as I remembered the crumpled piece of paper in my schoolbag. 

‘Mum?’

‘Hmm?’ 

‘I’ve got cookery class at school tomorrow. I’ve got to take ingredients in.’

Mum’s eyes flicked open. Nana’s needles stopped.

‘What have you got to make?’ 

‘Apple crumble. Sorry, I forgot.’

Both women were on their feet.

‘What’ve you got at home?’ Nana asked Mum.

‘No apples, that’s for sure.’ 

Nana went to the kitchen, Mum close behind. Cupboards banged over notes of infuriation.

They returned, Mum carrying a bag. 

‘Nana’s only got Braeburn apples. We’ll have to see if we’ve got the other ingredients at home.’

‘Can we go to the shop for the rest?’ I asked.

Nana shook her head.

‘You should’ve told me yesterday,’ Mum said to me. I’d always wanted to leave Nana’s before Songs of Praise, but not like this. Mum apologised to Nana.

Nana shrugged. ‘Sometimes life throws us trials.’

The drive home was quiet. Intermittently, I apologised. Mum said she knew I was sorry, yet there was no talk of forgiveness. 

‘It’s always up to me to sort these things, never your father,’ she said. After that, I stopped apologising. 

I couldn’t picture where my father was or who he might be with, and I didn’t know when I would see him again. Even though her father was dead, Mum had the same dilemmas, but the similarities didn’t unite us. 

When we got home, Mum put the butter, wrapped in its golden foil, on the kitchen table.   

‘We need oats too,’ I said tentatively, ‘because it’s a healthy crumble.’ 

‘Bring me the recipe.’

I brought her the forgotten list, which she read while I brought Nana’s bag of Braeburns to the table. Mum weighed and decanted ingredients into plastic tubs. Little white clouds billowed; granules were spilt. She banged the cinnamon jar on the counter. The clumps wouldn’t burst, so she threw it in the bin. I put the tubs into the bag with the apples. The butter remained unweighed on the table. Mum put away the scales and muttered as something tumbled from the cupboard. 

‘Where shall I put the butter?’ I asked. Mum rounded on me as more clutter fell from the cupboard. 

‘Up my arse!’ she yelled. 

‘Okay, but you’ll have to come to school tomorrow.’

My words floated precariously into the air. They’d been a gamble, particularly on a day we didn’t laugh. Mum said nothing as she put her face in her hands. The silence built over the hum of the fridge. I wanted to cram the words back into my mouth and fill my cheeks with the trouble they’d caused. Then her shoulders shook as her legs folded. Her hands dropped. She was laughing, shaking all over.

*

Rebecca Klassen is co-editor of The Phare. Her work has featured in more than forty publications including Mslexia Best Short Fiction, Popshot, Ellipsis Zine, Burningword, Barren, and The Wild Word. She has won the London Independent Story Prize, and was shortlisted for the Oxford Flash Prize and the Laurie Lee Prize. She regularly performs her work at Cheltenham Literature Festival and Stroud Book Festival.

Shooter Flash: “A Good Son” by Sarah Macallister

Peter couldn’t come home for Christmas because his wife dragged him to her family. Susan always played the victim, but she was no wilting flower; she was a parasitic weed.

My son used to be an easy child. No tantrums. Other mothers had to tear themselves away from their children at the school gates, from guttural sobs that made your ears bleed. I pitied those mothers, who’d failed where I’d succeeded. 

I remember the first parent-teacher meeting. Mrs Forsyth sat across from us, wearing a frown and short hair. She reported that our son had stamped on another boy’s head. Peter never behaved that way at home. I knew it must be a mistake. At other parent meetings, we heard that he pulled hair, hit, stole food, and peed on a girl’s coat. Mrs Forsyth clearly didn’t like him, so I moved him to another school. After that, there were no bad reports. 

I started as keys jangled in the lock. Harold whistled and threw open the front door. 

“Something smells good! Baked a cake?” He squeezed around the table and pulled me into his stout stomach. Fruity hops blossomed from his mouth.

“Been at Dopey Does?”

“Don’t you mean The Staggering Stags?”

We snickered together, as if this was the first time we’d made this joke. After I knotted my pinny, I glugged oil into the frying pan and ignited blue flames. Bubbles frisked in the oil and I slid raw meat to sizzle. I laid the table with chutney and a vase of dried honesty. We tucked in. Harold drank another pint and the amber beer glowed while he tipped back his head.

“Heard from Peter today?”

“No, he’s too busy. Working late, poor boy.”

Cake for pudding. Harold poured custard over his bowl. Steam spiralled while he rummaged for a spoon, clanking the cutlery, and shaking the table as he shuddered the drawer shut. I ate mine with a dessert fork.

Not long after Harold climbed into bed, he was foghorn snoring. The harder I tried to ignore it, the more frustrated I grew, until tears streamed into my pillow. Rain lashed the roof and windows, the wet whipping of a cat o’ nine tails. The doorbell rang. 

I swiped my cheeks and flurried downstairs in my nightie. I clicked the hall lamp. My neck shivered as I reached for the handle. It was so late. Who could it be? An outline blurred in the pebbled glass. A man’s height.

“Mum?”

Only Peter. I fumbled to unlatch and clasp the handle, ready with my welcome smile. My thoughts drifted to the kitchen. I opened the door and threw a glow into the seething chattering darkness, which swallowed it whole.

Rain-dark hair plastered his scalp and he looked white, sick. As I fell back to let him enter, my smile fixed, he planted himself on the threshold and leaked on the flagstone floor.

“Peter, are you alright?”

He shook his head and shuddered within the sodden coat. His eyes wouldn’t meet mine.

“You’re cold,” I said, desperate to shut the night out, but Peter only stood by the door and twitched.

“Come in, love.” He shuffled forward and I sealed us safely inside. I trundled off to the kitchen and flicked the kettle to boil, tipping bags into red cups. I wondered whether to give Peter some cake.

“I made a mistake.” Peter spoke slowly, each syllable dropping like the rain. He hovered under the kitchen doorframe, coat on and dripping wet. I could not make the kettle boil any faster. I didn’t know what to do with my hands, so I turned and smiled.

“What?” I asked, but I didn’t want to hear. “Wait, let’s get you dried off first.” I wanted to scurry for towels and clothes, but Peter was blocking the doorway as he answered my question.

“I made a mistake.” His voice broke and a croaking, throaty gurgle slithered into my kitchen, raw like uncooked meat.

“Oh, everyone makes mistakes, darling. Now let’s get you warmed up with a nice cup of—”

He looked me right in the eye.

“A mistake,” he spat back at me. “Susan’s gone.”

Something unfamiliar crawled across Peter’s face. A sneer. He was sneering at me. 

Boiled water steamed from the kettle, its innards raging with bubbles, until the dainty click snapped it off. I turned my back on Peter and poured the tea. 

“Would you like your bag left in?” 

He didn’t reply, so I took a teaspoon and squeezed the bag against the side of the cup before fishing it out. I was meant to say something. My pathetic mother, he was thinking, who can’t face reality, whose eyes are cross-stitched shut. I didn’t know what to say. 

I held the scalding cup against my palm, so the handle faced Peter. He could either take it, or watch my face strain to remain calm as hot china burned my skin. He took it like a good son.

Shooter Flash: “Under the Rubble” by Lisa Geary

A chink lets in a shaft of dusty light. Irene, wedged inside, shifts her legs and shuffles her torso to turn around. Straining, she leans towards the gap to peer out: the land lies quiet. No-one on their way.

She settles back to wait, resting upon the hard ground. What if no-one comes? How long could she last? She feels achy already, and hungry. She listens for the thud of falling masonry, the crash of concrete in the distance. Right now only a thin thread of birdsong weaves its way through the cracks, into her dim crevice.

Earlier she’d been in school; a normal day. Her mother had picked her up, red-faced, a little late. Irene had whined to join her friends in the playground, but her mother hung onto her and marched her straight home. The grown-ups were always busy. Not wanting to go straight into the house, Irene had run away when they got home, out into the woods.

Now, Irene is bored of her game. She slithers out from beneath the pile of branches and brushes dirt from her pinafore. A few of the long sticks have become dislodged; she hauls them back into place, fortifying the entrance to her hideaway. She runs along the winding path, across the garden behind the house, and in through the back door. Her mother is making supper with the news on the telly.

Irene flops onto the sofa. “How long til supper?” she whines. Her mother is grappling with a steaming pot, hefting it towards the sink.

“Five minutes,” she says, taking in Irene and the television in one quick glance. “Let’s turn that off now. I can’t take any more.”

Irene rolls from the sofa and reaches to switch off the television, another evening of collapsed buildings and grey rubble upon the screen. Men babble in another language, hauling chalky debris. Other men pull a small body from the wreckage. The child in their arms, still alive, swivels a dark eye towards the camera. Irene meets her gaze. Behind the child, the edge of an arm juts from the jagged pile of broken concrete.

Within the mound, a chink lets in a shaft of dusty light.

* 

Lisa Geary has had fiction published in Wishbone, Sepia Journal, Spellbinder, Haunted Words, and elsewhere. She lives near Durham, where she is a member of the Durham Writers Group. Currently, she is juggling writing with the world of two new kittens and kitchen renovation.

Shooter Flash: “The Last Day of the Rest of Your Life” by Johanna Bernhuber

It’s the first day of middle school and you’re still in bed. I laid out your clothes for you last night, warm from the dryer and freshly folded. Now, I pour your juice, flip your pancakes, and call your name for the third time. You already sleep like a teenager, though you’re one year and two months short.

Summer has been long. Your hands are more used to a fishing rod than a pen. Every day you trail grass and dirt into the house from your sneakers; your bare feet spatter chlorine trails across the kitchen floor. School seems like an impossibility after two months of total freedom.

You slouch to the counter and eat, monosyllabic. My upbeat chatter bounces off you like a cartoon forcefield. You carry your breakfast things to the sink and I give you a hug, which is momentarily accepted. I’m proud of you, I say, feeling the bird bones of your shoulder blades beneath the thick sweatshirt. You’ll do great. 

I hustle you out the door and grab my own keys, handbag, scarf. You hoist your new bulletproof backpack over one shoulder. We play your music in the car as you gaze out the window: wide front lawns, trees dripping crimson leaves. The right turn to your old school, where we turn left. You can probably ride this journey on your bike but not yet. For now you’re safe in my car.

I pull up at the kerb and can’t resist smoothing your hair, though you shrug me off. A big kid now. Have a good first day sweetheart, I say. You get out and swing your backpack over both shoulders. 

When you shut the car door, you stoop and give me a small wave. I can tell from the look on your face that you’re being brave, masking the nerves. A new school, new kids, new teachers. Part of you wants to get back in the car and drive back to summer, even as you lope toward the stone steps. I put on a big smile and wave back, thumbs up. I keep looking, and waving, just in case you look back again, one last time. 

You climb the steps alongside the other kids and all of you wait, one by one, to pass through the metal detectors, into the unknown.

*

Johanna Bernhuber is a psychologist who has written for the Chicago Sun-Times, and has published short fiction and nonfiction in Whitefish Review and Denver Quarterly. She has three children and lives in Illinois with her husband, one dog, and too many books.

Shooter Flash: “In the Wake Of” by Elizabeth Vidas

She caught Stan coming out of the bathroom, one hand down his pants as he fumbled with his shirttails.

“Stan, come with me,” she said. “I have something to show you in the hydrangeas.”

Not the most seductive line, but Stan was her second-to-last target, she was tired, and he would certainly follow her into the bushes or under the kitchen sink if she asked. Sure enough, in five minutes she had undone his carefully tucked dress shirt, and he was grasping at her breasts with puffy palms.

Stan was the twelfth man Louisa had kissed that night. Most had been easy marks, though the professors were suspiciously self-assured: they grabbed her waist or hiked up her leg as if used to younger, suppler limbs. Only one – a grad student – had seemed ill at ease. He’d stammered, acting calm, but there was sweat on his mustache. She’d reconciled herself to a quick peck.

She crossed the lawn to the bar, a fold-out table draped in white cloth. Pouring a martini, she glanced around. Her garden looked well, of course. The Cambridge wives chatted vigorously next to the hydrangeas, determined to play at normality. Their husbands stood beside them, subdued. The pockets of guests had thinned out – Louisa smiled into her drink, thinking that soon she would be in a Manhattan studio. She would call Hannah from social-work school, and they would meet at Café Figaro. Maybe she would even look up some Sacred Heart girls; she assumed they were still on the Upper East Side. Scrutinizing their perms and reminiscing about Sister Margaret’s mole might be a laugh. 

She eyed her final target. David was standing by what she called the baby fountain, a cherub holding a bird bath. She stepped from stone to stone on the garden path until she reached him. He looked down as she approached, giving his Dark and Stormy a swirl. They watched the amber tornado settle in his glass.

“This is one of your better parties,” he said.

“Well. It’s not every day one’s husband retires from teaching and married life.”

He sighed. “Louisa.”

It was petty, but she wouldn’t admit it, so she looked towards the garden instead. The last of the guests were leaving: some gave fake, cheery waves while others walked determinedly towards their cars. 

“I kissed all your friends.”

“You did what?

“I kissed all of them. Paul and Jared were a little gropey – I think they’re used to a student set. And Aaron was mechanical. He’s been handsome for so long, he must rely on muscle memory now. Stan was greedy—”

“You kissed Stan?”

“That’s what shocks you?”

“Louisa, what are you doing?”

“I’m kissing all the men. Because after twenty years, I don’t owe anything to anyone. I didn’t join the wives’ book clubs or go to your colleagues’ asinine lectures—”

“So I’m responsible for that? Twenty years ago you were so prophetic you thought you’d save yourself the trouble?” 

“I didn’t save myself from anything.”

The porch light went on, and Louisa glanced over automatically. Inside was the sofa bed where he’d been sleeping. Each morning he was gone by the time she woke up; seeing his reading glasses on the wicker table always gave her a stomach cramp. Just two round lenses, but somehow they conjured the arc of his lips, the hair between his eyebrows he refused to pluck.

“I’m going to kiss you, David.”

He said nothing, looked at the porch lights. It amazed Louisa that he was leaving her for an older woman – an unattractive one, no less. She’d seen her at the university, gray bob and blue blazer. Louisa put a hand between his shoulders and turned his face towards hers. His mouth was motionless, his eyes unfocused; she suspected he was parleying with Elaine in his mind. She kissed him, and they were back at the café in the Village, where she’d leaned across the checkered tablecloth as he’d described Plato’s chair. Where he’d confessed how he’d been scared of the man-sized monkeys in Wizard of Oz. He was squinting through his glasses at the opera; he was folding them into his pocket before grabbing her by the vest, kissing her in front of the Washington Square Arch, and she knew she would follow him to the end of the earth, into any hydrangea bush, or onto the porch bed, as she did now.

*

Elizabeth Vidas is a writer and teacher living in Montpellier, France. Her short story “Smoldering” will appear in the upcoming issue of Western Humanities Review.