Shooter Flash: “Meta-metamorphosis” by Andreas Smith

As Gregor Samsa awoke one morning from awful dreams he discovered that he had changed in his squalid corner into a little man. He stood on his two pale legs, stretched out his two pale arms, stifled a scream, and nearly fainted.

This was no dream.

In the opposite corner his parents were fast asleep, head to head, their antennae lovingly entwined and their hard brown backs glinting in the first rays of the sun. Nearby his young sister, half sunk in the soggy green morsel of bread she had been sucking on for the whole of the previous day, looked almost angelic as that same sunlight crept towards her under the kitchen cabinet. All three slept on contented, engorged and satiated with life’s bounteous harvest, as if nothing at all could go wrong in this, surely the best of all possible worlds. It was, then, a typical morning in the life of a normal, happy family of cockroaches.

But something had gone wrong – something terrible. Gregor shivered, pulled a piece of foil from an old ball of dust and hair, and wrapped the foil round his shameful nakedness. A rusty pin, for months lying barely noticed in the den, he now took up and thrust through the foil to secure it.

His sister stirred first and, seeing the thing her brother had become, emitted a deranged clicking noise as she frantically pursued herself in circles. Not that the parents were much calmer: they scrambled out of the den onto the kitchen floor at the sight of their son’s transformation, their beloved handsome son, now this… this monster. The father, recalling his position as master of the den and realising, as cockroach patriarchs always have, the danger presented by the vast desert of a recently mopped kitchen floor, forced his wife back under the cabinet to the safety of the den, with its moist, fetid air, rotting fragments of food, and years of dirt drifted into random heaps. The three huddled together and, afraid even to blink, gawped at Gregor. He stretched out an arm, friendly or threatening, it mattered not: his father, drawing on his old reserves of cockroach courage, dashed at his son, butted him in the groin, and knocked him flat. Never was a snout put to better use than this! Meanwhile, wife and daughter, instinct conquering fear, rolled everything roundabout towards Gregor’s corner – dust balls, breadcrumbs, meat and cheese pellets, spent matchsticks, mucus-encrusted tissues – till Gregor was imprisoned behind a barricade of rubbish. He got up, brushed himself down, once again secured his modesty with the rusty pin, and peered through a gap in the barricade. “Father, mother, dear sister – it’s me, Gregor, your beloved son and brother!” At the awful noise, incomprehensible and unearthly, the family backed off. Certainly it was a Gregor, but of what sort?

Mother’s tears seeped.

But time moves on. Gregor’s sister, hunger again gnawing at her belly, crawled over to her putrid soggy green breakfast and sank her face in it. Mother poked her wet snout through the gap and, despite everything, gazed lovingly at her son. He was busy tidying up his corner, as if disgusted by the lovely filth in which he had been fortunate enough to be hatched. It pained her to see how ungrateful he now was as he gracelessly paced back and forth on his thick and ugly white legs, his once comely face now an ugly mask of disgust and disapproval. Father, dining on a dainty morsel of rotten bacon and occasionally glancing through the gap, suddenly brought up the contents of his stomach and, no doubt stirred by fatherly obligation, vomited them towards Gregor (his only son, after all). But Gregor, even more disgusted than before, ignored his father’s offering. Let him starve then, like the countless ungrateful wretches before him!

As the days passed and the old normality became a faded dream, the family learned to bear their affliction. It was unfortunate that Gregor’s mad repugnance at filth and squalor had led to his living quarters deteriorating into a state of the utmost cleanliness (his poor house-proud mother could hardly bear to look), but even more disturbing was his rejection of any food at all, even the splendid lump of cat vomit his sister, at immense effort, had barged all the way across the kitchen to the den and then through the gap – only for her beloved brother to turn his back on her! So, while they gorged themselves on the fruits of the earth, Gregor, whose share of these fruits was his by right, became thin and weak, and was soon just a bag of bones, whining and wheezing and muttering gibberish to himself in his corner, the food that he once relished no longer the equal of his fastidiousness. No one now bothered to shore up the crumbling barricade: only a fantasist would look upon its pathetic prisoner as some dangerous monster, plotting evil against the world as he lurked in infernal cleanliness.

It was the mother’s mournful scrabbling which announced Gregor’s final end. There was much moistness in their eyes that morning, though it soon dried up. Life goes on, after all. They considered eating Gregor, but an old taboo, its origins lost in the mists of time, held them back. His parents dragged the corpse to the cat bowl at the far end of the kitchen. On returning to the den, they were pleasantly surprised to see that their daughter, stretching her many legs and tucking into a tasty titbit of something or other, was on the verge of becoming a fully grown cockroach in her own right, indeed a great beauty.

*

Thus did Hermann Kafka, canny businessman and father of Franz, an obscure author, strive to outdo his son, whose literary ambitions he scorned. But the son was more cunning than the father imagined: he stole his father’s crude fairy-tale, turned it on its head, and wrote a Metamorphosis of his own.

* * *

Andreas Smith has published stories in several UK literary magazines, including Monk and Storgy. He has also written several novels and is now represented by the David Grossman Literary Agency in London. He lives in County Durham and works as a freelance editor, though he sometimes travels to India for several months at a time to write in cafes while drinking chai and watching cows pass by.

Shooter Flash: “The Silence” by A S Partridge

The baby was crying. Again. Susan had just sunk into sleep ten minutes before – blessed, blackout unconsciousness – and was now wrenched back to the surface by those piercing, incessant cries.

“No,” she moaned, pressing the side of her face deeper into the grubby warmth of her pillow. Laundry, among other things, was overdue. “Shut up.”

I can’t take it any more, she thought, groggily, as the cries escalated. It was the four-month sleep regression. Apparently that was a thing: sleep regressions.

Something that had not been a thing, for Susan: The Golden Hour. Her son, instead, was whisked straight to NICU and intubated through a perspex box. Another thing, but not for her: The Letdown. In Susan’s case it applied purely in the emotional sense – no breastmilk, no oxytocin hit. After weeks of squeezing and pumping, she’d accepted defeat and resorted to formula, despite the exhortations of a parade of nurses, breastmilk advocates and healthcare visitors. One more thing, for the record: a Partner. No dad’s better than a bad dad, Susan frequently told herself. Plenty of women struggled with unhelpful mates, she knew; but in her alternate universe, in the dead of night, there was a pair of hands to lift the screaming baby from its cot and remove it, somewhere else, out of earshot.

The baby continued to cry, louder now, no doubt needing a nappy change, a feed, a cuddle. It was incessant, relentless. “Shut up!” Susan yelled, shoving back the bedclothes and propelling herself upright. One sleep cycle was all she needed, a straight ninety minutes, then she could cope. Just one. On top of four months of broken sleep, it had been several nights in a row of waking hourly. Hourly. Her brain felt scrambled, swollen, bulging within the confines of her overheated skull.

She stormed around the bed to reach the cot on the other side, her vision swimming in the dark. The lump of her child lay within, wailing mouth aglow in a shaft of moonlight slanting past the edge of the blind. Seized by fury, Susan gripped the wooden edge of the cot. “For the love of god,” she screamed, for the third time, “shut up!”

The silence fell so immediately that Susan took a moment to register it. Then she wondered if she was, in fact, dreaming, or if she’d had a stroke. Had she fallen instantly deaf? For there lay her child, mouth open, the image of a squalling infant – yet no sound emerged.

Shocked by an icy jolt, Susan reached in and picked up the boy. He remained frozen – not just mute, but stock-still, a stone statue in mid-scream.

“Jakey,” she said, clutching his swaddled body to her before holding him aloft in the moonlight. “Jakey! Wake up!”

She pressed her ear to his chest and there, fast and soft, fluttered his heart. Raising him to her face, she felt the whisper of his warm breath upon her cheek. She sank onto the bed, cradling his small form – her darling, her beloved. The room whirled, so quiet that Susan could hear a faint ringing, like tinnitus.

She drew back and placed the baby gently on the bed, unwinding the folds of his swaddling cloth. His fists lay tightly balled, bent legs stiff in the air. Mindlessly Susan changed his nappy and flashed onto the memory of changing a plastic doll in prenatal class, a class that purported to prepare you for everything yet only proved, in retrospect, to prepare you for nothing.

With the baby clean and wrapped up again, Susan gathered him to her chest and slid back into bed. His mouth remained open wide, soundless; body warm yet unmoving. Susan drew the covers over them both and leaned back into the pillows. Tucked up warm with the curled animal of her infant at her breast: this was the dream of motherhood, the very picture of parental bliss. The maternal fantasy, the ideal.

The silence was a gift, surely. It couldn’t last long; ideals never did. So Susan resigned herself to sleep, and sank numbly into blackness. Reality would return soon enough. It had to.

*

A. S. Partridge has published poetry, flash fiction, and short stories in numerous magazines including Aurora, Malahat Review, Popshot, Scribble, and others. She lives in Edinburgh, where she is working on a satirical novel about motherhood.