Shooter Flash: “Twenty Blinks” by Sarah Sibley

You feel the rain patter your cheeks and watch the grey clouds sagging above. The stubbled ground jabs into your back. 

*

There is a tearing, crunching sound nearby. You can’t turn your head but realise it’s your horse, cropping the grassy verge. You try to croak her name but nothing comes out.

*

Bella at university. Charlie in Manchester. But Hannah, at school. You’re supposed to pick her up after hockey.

*

You feel surges of agony and anger, simultaneously. But nothing from the waist down.

A soundtrack of blame is running through your mind, complete with the memory of your husband’s disapproval that you continued to ride after your children were born. You made a point of hanging on to one thing that was your own.

*

The rain has eased and the clouds are thinning out. The grey sky behind them is whitening. Watching the clouds becomes compelling.

*

The lane is silent, apart from Rosie grazing.

*

You wonder what your ex will think, even though he’s eight years out of the picture.

*

Your sister will have to fetch Hannah. Though the rain has stopped, your cheeks remain wet.

*

You as a girl, about ten, running down the tree-lined street where your parents lived, being chased by a barking dog.

*

There is an unfinished canvas in your studio, the ocean painted in loose strokes. You’d been working on the children playing in the sand. It’s shaping up to be one of your best pieces.

*

Hannah has inherited your artistic skills, but she needs to apply herself.

*

You heard the van barrelling up from behind. You stayed still in the saddle and waved an arm downward to signal he should slow. He didn’t.

*

Rosie has always been good in traffic but no horse can be expected to behave if a van side-swipes them at 40 miles an hour.

*

She’s moving, at least.  You can hear her, still cropping, a little farther away now.

*

Now and again you used to wonder if the risk was worth it. Worth the joy, the sense of freedom. The deep contentment. The beauty of the land. You don’t remember coming to a conclusion.

*

Watching the clouds from this angle is peaceful. You regret that you never made time just to lie down and look up.

*

Love sears your heart. Bella stumbling in the middle of her ballet recital, going on to win a standing ovation. The fear, rushing Charlie to hospital when he got stung by a bee.

*

Hannah’s delighted sweaty face, lofting the hockey trophy with her teammates last year.

*

In the distance, you hear a car coming down the lane, but the world has swivelled; the clouds, now, appear to float beneath you. You turn your gaze from the whiteout and look up to see higher.

***

Sarah Sibley is a writer and baker who lives in Durham with her family. As a cake artist, she has written extensively on baking for various newspapers and magazines. This is her first published piece of fiction.

Issue 15: Out West

I was once an Eastern greenhorn, a city girl lured to the Rocky Mountain West by the promise of big skies and open ranges, rodeo riding and cowboy culture. I found myself in a small town in a sweeping landscape, where the sense of space expanded inner horizons as much as outer ones. Years later, back in England, I made another westward move (admittedly on a more modest scale), from London to the green hills of the Cotswolds.

The allure of the West, of wild(er)ness and migration, underpins much of Shooter’s Out West issue. Some of the edition’s writers celebrate classic aspects of Western mythology (horses, reinvention, seeking a better life), while others confront its downsides (toxic masculinity, guns, prejudice). Beyond myths conjured by pioneer history and movie lore, the issue sifts through these ideas to explore personal, nuanced elements of the American West. And beyond that fabled frontier, writers examine East/West culture clashes and mind-expanding experiences in the United Kingdom, New Zealand, and even Sudan.

One piece that does so with a satisfying dose of humour is Georgia Boon’s opening story, “West Country”, about an actress sent to the south-western corner of England to bond with her equine costar. Horses also feature in “Nice Riding” by Becky Hansen, her memoir about a simple yet potent accolade from a straight-shooting cowboy.

The issue’s other two pieces of fiction explore darker aspects of the theme. Zachary Kellian depicts the toxic masculinity within a group of Nevada desert dowsers in “Set in Stone”, when one of the drill workers is forced to come to terms with his sexuality. Annie Dawid, in “Acts of Nature, Acts of God”, imagines a Wyoming coroner’s struggle following the gun death of a ten-year-old boy.

Travelling abroad gives rise to very different experiences for two of the issue’s non-fiction authors. In “What’s in a Name?”, Parnian Sadeghi writes of the challenge to her identity after moving from Iran to the U.K. For Barbara Tannenbaum, visiting New Zealand from California following a cancer diagnosis leads to an uplifting revelation.

Abundant poetry rounds out the issue’s prose (for the first time featuring an equal number of fiction and non-fiction pieces). Sally St Clair and Callista Markotich take inspiration from history and literature in “Californian Bone Soup” and “Language Lorn, Riding to Mexico”. Dreams of travel infuse Nicholas Hogg’s “Mariner”, while Millie Light conjures a strong sense of place in her two Cornish poems. Sinister elements lace Meghan Kemp-Gee’s “The Fugitive” and Richard Lister’s Darfur-set poem “Apart”. In “The Student with Spurs”, David M Schulz conveys the limitations of the Western dream, while John Laue rounds out the issue with some whimsical yet lucid Californian haiku.

Finally, don’t miss Lynette Creswell’s historical fiction, “Malkin Tower”, winner of the 2022 Shooter Short Story Competition. Inspired by the 1612 witch trials in Pendle, northwest England, Creswell conjures a compelling, suspenseful tale with a vividly murky setting. The story revolves around a young girl forced to testify against her mother and sister, who stand accused of witchcraft. “Malkin Tower” underscores that injustice can occur in any era – or, as other work in this edition shows, at any point on the compass.

Cover art by C R Resetarits

To order a copy of the Out West issue, please visit the Subscriptions page.

The 2022 Poetry Competition is now open to entries, and the theme for the winter 2023 issue will be announced imminently online!