Shooter Flash: “Hercule and Toad Have Talent” by Clayton Lister

Typical, thought host Andie Jobber. Before the preceding act’s applause had quietened, onto the stage stepped that homunculus, as Gordy called him, the eyepatched gargoyle. 

‘Thank you, Blossie Petunias, for that unique interpretation of Kylie’s classic Can’t Get You Out Of My Head. I’m sure none of us will.’ 

A spattering of titters. Hurrah for Miss Jobber. 

‘Up next, ladies and gentlemen, Hercule Haverling and his mind-reading… toad, Hercule? Really? Good God, it’s a frog!’

‘Toad, Miss Jobber.’

‘It’s alive!’

‘Have you ever known a dead mind-reading toad, Miss Jobber?’ And his voice! Like blasted glass.

Titters burgeoned darkly into giggles, although some parents looked duly perturbed. Colleagues, too. Judges.

‘Toad of Truth requires a volunteer, Miss Jobber.’ 

Hercule showed the toad their audience.

‘It only has one eye!’

‘And?’

And… nothing. 

‘What’s that, Toad?’ Hercule inclined his ear. ‘Toad chooses you, Miss Jobber.’

Who’d applauded! Where was Edwina Dupey? As contest organiser, it was her job to stop this. 

Hercule hushed the audience. ‘Miss Jobber, Toad says you don’t believe Miss Hale has laryngitis. Did you not want to stand in?’

Giggles bloomed blackly into laughter. Dads’ as well as pupils’.

‘Of course I did.’ There Edwina hid, at the back of the hall. ‘Mrs Dupey. . .?’ Say something! Or Ms Leslie, as Head Teacher. Wasn’t she here, somewhere?

‘But Toad speaks only truths, Miss Jobber. Toad wouldn’t lie. Toad says…’ As Edwina finally stepped forward, Hercule lent the creature his ear again. ‘… you were looking forward to visiting Mr Dupey while Mrs Dupey was preoccupied here. Why would that be, Miss Jobber?’

Edwina balked.

Behind the bottle-thick lens of his glasses, Hercule’s good eye – his only eye – rolled in its socket. Or was it the hall rolling around it?

‘Toad says for a jacuzzi. Is your boiler broken, Miss Jobber?’

For the uproar – some brat was stamping his feet! – Andie Jobber could not bring herself to look again at Edwina Dupey. Or Hercule for that matter. But now the toad’s one eye held her, growing, it seemed, filling her mind’s eye, drawing her in. At last, it blinked, and she fainted.

Seated in Ruth Leslie’s office, Hercule’s legs did not reach the floor.

‘And its eye, Haverling. Did you put it out?’

‘Are you thinking that a nice touch, Ms Leslie?’

Hmm.’

‘I thought, Ms Leslie, a little too harsh on Mrs Dupey maybe?’

‘She’s wet, Haverling. And I won’t have couples teaching at the academy, married or clandestine. We’re best rid of them both, Jobber and Dupey. No. Good job well done. No pun intended. You’ll find my gratitude reflected in your Merits balance by end of week.’

With a deferential nod, the boy dropped from his seat.

When he’d closed the door behind him, Ms Leslie removed her earplugs that took the edge off his voice at least. He was awful. Quite the – what had Gordon Dupey called him? A grotesque, was it? Perfect description. Useful, though. She’d give him that.

*

Clayton Lister is the author of young adult novel The Broke Hotel, published by Stairwell Books. He’s had short stories published in magazines and anthologies, most recently the Osiris Press anthology Something Magic. His first flash story On the Rocky Shore was a 2025 Shooter Flash winner.

Shooter Flash: “Techspeak” by Angela Ball

The televisions, everywhere, switched on at full volume. Mobile phones jingled and landlines rang, although no-one was at the other end if someone tried to answer. Tablets flashed with non-stop videos and the incessant content of streaming services. Technology cried in full voice, crowing and bleeping and flashing AI-generated content. The people – harassed particularly in cities and built-up areas – were unable to silence it.

Harriet was confused by her mother’s frenetic behaviour on what should have been an ordinary school day. She had little grasp of the scale of the problem, despite her mother’s flailing signs, for Harriet had been born deaf. The sun shone and the day looked inviting. While her mother ran about with her hands over her ears, pulling cords out of sockets and jabbing at the remote control, Harriet got herself ready for school and walked to the bus stop.

There wasn’t much traffic in the development, but Harriet noticed the drivers in each car that passed were focused on the radio console, swerving here and there while pressing buttons. When Harriet reached the bus stop, her friend Charley was there waiting for her as usual, but the bus failed to arrive.

Something weird is going on, she signed to Charley. Their school was two miles away in the town centre; eventually the girls gave up on the bus and decided to walk through the woods to get there. Along the way they overtook a jogger standing beside the path, busy pulling apart his ear buds. When Harriet glanced back she saw him hurl them into the trees in frustration, small white orbs flying amid the leaves like the last of the cherry blossom.

The streets in town had fallen unusually still by the time they reached the school gate. Ms. Cleo released the gate for them; school also seemed subdued.

Where is everyone? Charley signed. Harriet tugged her toward class: We’re late.

Mr. Subikoff waved them in from his teacher’s chair. Only a smattering of children were at their places; the partially deaf students weren’t there. There was no-one left who could listen, but books, at least, had not been compromised; everyone could read. Mr. Subikoff indicated where they should turn to in their history books.

It became hard to concentrate as the students noticed, along the street outside their window, the few remaining people stumbling by were clutching their heads, evidently in pain, with crimson blotches blooming at their ears. One by one, they began to fall, adults and the elderly and children alike. Once they fell to the ground, whether on the pavement or in the middle of the road, they failed to get up again.

The children in the classroom trembled and caught each other’s wide-eyed gazes. Some signed urgently to Mr. Subikoff. Though rigid and pale himself, he insisted they look down at the texts before them. 

Harriet, in a state of disbelief, made herself focus on the page before her. The black lines formed letters, the letters formed words. She re-immersed herself in the sentences and began to lose herself in the tale they told. Outside was the adult world; someone would make sense of it for her later. Here was meaning she could understand. She could enter the book and it would save her. For now, at least, the words would make sense, and that would save her.

*

Angela Ball writes short fiction and poetry when not working as a solicitor in Stratford-upon-Avon. Her work has been published in Ghastling, Neon, Riptide, Tar Press and elsewhere. She is currently working on her first novel, about an underworld gang on whom the survival of the planet depends.

Shooter Flash: “Love Lessons from a Chameleon” by Sherry Morris

We met in the Algarve. He sunned on decorative rocks. I sipped Love on the Rocks by the pool. He approached me – drawn, perhaps, to my scarlet bikini or maybe my crimson drink. Initially, I was put off by his leathery hide. Didn’t like his independently roving eyes. Or his two-inch claws. Then he fanned his crest, flashed bright-bold shades of reds, blues, greens and golds – a mating ritual I supposed. What can I say? His primitive nature struck a chord. 

Khem wasn’t much of a looker but the things he did with his tongue… And when his tail wrapped tight around my waist, I felt safe – like he’d never let me go. 

We didn’t have much in common it’s true – except a shared love of basking in the sun. Sometimes that’s enough. 

Back in Bolton, I introduced him to Mum. She cried. Said even Dodo Darrell was better than this. I pointed out at least chameleons chew their food. Friends said a relationship between an Old-World lizard and a twenty-first-century lass wouldn’t work. Perfect, I said – Khem wasn’t work. We married in a registry office, accompanied by more tears from Mum. I wore plain cream while Khem blazed like a Christmas tree, nearly noble, with a thimble-sized top hat balanced on the tip of his crest. The sun shone on us that whole glorious June day and I knew I was right.

We were ridiculously happy at first. No one understood how easy it was to communicate. Myth says chameleons colour-match to their environment. Fact knows it’s mood. The men I’d known before Khem had kept their feelings buried, hidden deep. With him, emotion blazed across his skin. No game playing. No need to guess how he felt. It was bliss. We humans think we’re better – so sophisticated, more complex. Simple ways are often best. 

We didn’t last but it’s not what people think. Chameleons prefer a solitary life and everyone wanted to meet. At cocktail parties when Khem opened his mouth wide and bobbed his head from side to side, it was mistaken as friendly greeting. Once introductions were made, I’d find Khem a quiet room with curtains he could cling to. I’d explain it wasn’t bad manners – chit-chat just wasn’t his thing. Once he got to know someone in a quiet arboreal setting, he sometimes enjoyed a gentle stroke under his chin. He was a creature at ease on his own.

I saw the pity-smiles and shaking heads. Heard what narrowing eyes said: our relationship wasn’t real. A couple couldn’t be apart and still truly together. Some even suspected he was nothing but a lounge lizard, just along for a free ride.

I fell into that people-pleasing trap women do. Posted staged scenes on social media of domestic bliss cuddled up with Khem. Ensured I always colour-coordinated with him instead of acknowledging my own moods.

When Khem turned brown I told myself it was brumation – brought on by winter dark, damp and cold. I bought a basking bulb, additional heat lamps. Refreshed all the yucca and rubber tree plants. Pleaded with Khem to pretend Bolton was the Algarve.

He left anyway. 

Mum came round all dry-eyed and canary-smile, wrapped smug-tight in I-Told-You-So’s. Proclaimed I was a silly goose not knowing marriage had to manage rainy days too. Said I’d be alright, even happy, as soon as I was Bolton-normal like them. Friends offered to help me throw a party – everyone could take a plant. I saw it then – the problem wasn’t Khem, but them. 

I moped for months. Dressed all in grey. Wore a neon-yellow scarf as a warning for Mum to stay away. She didn’t understand my colours. Nobody in Bolton did. A well-intentioned friend suggested I look for love in Antarctica. The place was full of penguins. They mate for life she said. I shuddered. I had nothing against tuxedoed birds but knew my heart would never find love in a cold world. 

I returned to the Algarve. Moved into a block of flats with extensive grounds and a communal pool. Met Tadeu – the on-site gardener. He’s shy, slow-paced, has a seductive sunbeam smile and wears an impressive array of Hawaiian shirts. With his bald head and stocky build, he bears more than a passing resemblance to a terrapin – especially when basking on one of the larger, flat slabs of rock near the pool. Now his tongue isn’t as long or strong. I only speak one word of Portuguese, still – we’re off to a promising start. 

Tadeu works early mornings, then joins me poolside afternoons. Often, we are the only two, appreciating the glorious heat, sunshine and each other – communicating through bouquets of flowers he presents, his bright shirts and my vivid bikinis. Now sometimes we complement each other. Other times we clash – and that’s absolutely fine. What matters is we show our true colours. Let rain enhance our relationship. 

It’s true Mum had a point with her tough-love marriage message. But I also learned something valuable from Khem – self-love. When he appears one day out of the blue on a stone, all healthy-glow and rainbow-shimmer, I smile and wave hello. Giggle when he tongue-flicks my way. Whisper as he lumbers off to catch some lunch, Obrigado, Khem.

*

Originally from Missouri, USA, Sherry Morris writes prize-winning fiction from a Scottish Highland farm where she pets cows, watches clouds and dabbles in photography. She also presents Sherry’s Shorts – an online radio programme of short fiction with Highland Hospital Radio. Visit Uksherka.com for her published work and listen to episodes of Sherry’s Shorts on hhr.scot.

Shooter Flash: “Winter Camp” by Gary Finnegan

The middle distance absorbed her gaze. Her sleeves, her nerves, frayed. Moths had chewed holes in the coats of the children; the children had eaten nothing for days. Days had been given to a journey, to the mantra, ‘Things will be better when we get to the camp.’ 

Now, her five-lined brow, like sheet music without a note, knew hope was a hollow lie. To be hungry and afraid and uncertain and on the move was the second-worst state of being. Hungry, afraid, uncertain and stationary was worse by miles. 

‘Did you wash those hands,’ she said, clawing at the paws of the youngest, fussing at a tap. ‘Got to wash those hands every time here, okay? Every time. Or you’ll get sick, like her.’

She nodded towards the next tarp, the day-old home of a family nursing a preschooler through the vomiting bug that was pinballing its way through the camp. 

Her own youngest straw-haired child stood passive and slack as her mother worked the gaps between the child’s fingers with a cement-coloured flannel. 

‘Did you change that vest,’ the mother asked. ‘Gotta change damp vests or you’ll get sick.’

She was curt, she knew that, but child management was the only available task and had to be done with vigour. It was, she reminded herself, in the children’s interests that their mother maintained standards. If you slid into apathy, you accepted death’s call.

The child was silent, and had been since they arrived. The three of them – the father having stayed behind – filed down the line until they reached an unribboned tent. There they tied the piece of cloth collected at the gate around a pole ‒ their claim on nine square metres of shelter, open on one side to the brown dust and ceaseless flow of human anguish. 

‘When is food coming, Mom?’

The older child, listless now, spoke for her sibling, spoke for everyone in the camp. The mother changed tack, opting not to lie, not to say, ‘Soon, love, just wait another while.’ 

Instead: ‘I don’t know.’

Would it have been better to stay and spend their hope under a familiar roof? As she wondered, an unwelcome competitive instinct surged within her at the sight of more new arrivals. ‘They need to shut the camp,’ she exhaled in a whisper. ‘Place is full.’

How many could be fed here? How many could make it across the border when it reopened? Who would decide who stayed, who went, who ate, and how much? 

She could do nothing. And it killed her to seek help while wishing it were denied to others.

‘Come here to me,’ she barked at the eldest child. ‘Those socks need changing.’ 

*

Gary Finnegan’s fiction has appeared in Litro, The London Magazine, The Phare, Roi Fainéant and Flash Fiction Magazine. He is the winner of the Frazzled Lit Short Story Award 2025 and received an Agility Award from the Arts Council of Ireland in August 2025. He has an MA in creative writing from Maynooth University and is working on a novel. 

Shooter Flash: “River Without Current” by Thomas McEvoy

In Mama’s last letter, she wrote that there’s no opportunity at the Napo River Lodge, where Papa works. She warned that if I continued to live with Papa, I would end up like Yolanda, chopping vegetables in the kitchen, or Maria, who cleans rooms every day. She even asked him what future our girl has at the lodge.

When Papa finished reading the letter, he crumpled it and threw it into the bin. I had to flatten it and read it alone. I wanted to talk to Papa, to ask him when I could go and join Mama, but I was afraid. I’d seen the look on his face as he read it, and I didn’t want to see that again.

The Napo River is all Papa knows. He wouldn’t leave because there’s nothing else for him.

That night, I used a flashlight and cocooned myself under the bedsheets, going over every word about Mama’s city, imagining the hotel she worked at and the school I’d go to. Papa had homeschooled me all my life, but I yearned to be part of what Mama described. I fell asleep thinking of the capital’s smooth, asphalted roads.

The next day, I told Papa we should go out searching for caimans, just the two of us, like we used to when I was younger. I figured that way I could talk to him, convince him to let me go and join Mama.

“We’ll go another time,” Papa said. He’d been out all day bird-watching with a group of Americans. Americans are the most demanding clients, but they tip the most, so Papa makes an extra effort with them. 

Then I lost the letter. I’d kept it under my mattress so nobody could find it. I’d read it every night, thinking that if I did, I would dream of the city. It was my way of bringing what I desired into existence. The letter was gone. I wondered if Maria had found it. I didn’t want to say anything in case she read it or told Papa. Instead, I tried to remember the letter, word by word.

One evening, Papa finished dinner with the Americans and looked for me.

“Come on,” he said. “We’re going caiman searching.”

I didn’t feel like going anymore.

“You wanted to, right?” Papa said. “Fetch your light.”

My flashlight was a prized possession. It was silver and looked out of place in the jungle. That’s why I liked it. It was a gift from a Dutch tourist, one of many who pass by for a couple of days, never to be seen again.

We set out in the canoe without a word. We knew the right spot. As we approached, we lifted our oars and shut off our flashlights. We floated on the river without a current, bathed in total darkness. At night, the Amazon comes to life. You hear the loud and constant buzz of cicadas, the croaks of frogs, and the howling of monkeys deep in the jungle.

Papa believes caimans are stoic. I didn’t know what that word meant until he explained. Caimans like to stay close to the shore, partly submerged in the river, motionless. Usually, the crest of their head, spine, and tail is visible. If you make a sudden movement or sound that scares them, they will lash or disappear quietly in an instant. The trick is to mirror them and relax. Papa showed me. If you do, they’re happy to lie still as you shine on them, their eyes blazing like marbles of fire.

“Papa—”

He turned on his flashlight. “There they are, look.”

Two caimans huddled together by the bank. The distance from their orange eyes to the tips of their long tails showed just how large they were. We illuminated their leather bodies, staring into their unblinking bright eyes. It was a game we used to play: shining on the caimans to see how long they’d stay.

We kept our lights steady, trying not to frighten them. After a couple of minutes, the bigger caiman went under without a sound, like a silent submarine. We focused on the remaining caiman, trying to extend the moment. The canoe ebbed side to side, mimicking Papa’s slow and deep breaths. Then the second caiman left.

“They’re gone,” I said, disappointed.

Papa closed his large hand around mine, placing a worn piece of paper in my palm. The weight told me what it was: Mama’s letter. It wasn’t Maria who had taken it from under my bed. It was him. He knew I’d been reading it.

“I wanted you to have it back,” Papa said quietly. His voice sounded like the creak of the canoe, something old and strained.

I berated myself, feeling as though my nightly rituals with the letter had sealed my fate. Holding it again, the city’s pull faded, replaced by guilt. 

“It’s time,” Papa said softly, as he picked up the oar. 

A man of few words, I knew this was how he let me go. I placed the flashlight in front of me, but I didn’t switch it on, not wanting him to see my face. I grabbed my oar to help us back. I opened my mouth to speak, but the jungle drowned me out.

*

Thomas McEvoy is a Paraguayan-born British writer who has lived in Panama, Honduras, Ecuador, Japan, Canada, Spain, and England. He is currently pursuing a master’s degree in Creative and Critical Writing at the University of Liverpool. His fiction has appeared in J Journal: New Writing for Justice, Scoundrel Time, and Collateral Journal.

Shooter Flash: “Lisa’s Little Lie” by Steven Bays

The wheels of the gurney squeaked as an aide moved Lisa to recovery. Half asleep, she stirred, then moaned and curled into a fetal position. She pulled the sheets over her shoulder and stuck one foot out from under. When she saw the blue hospital sock, she remembered where she was. A feeling of nausea overcame her and she cupped her hand under her chin. A nurse noticed and held a small kidney-shaped bowl, just in time for Lisa to vomit.  

“It’s the anesthesia,” a nurse said. “It’ll pass. Drink this.” She gave her some apple juice. Lisa tried drinking but the nausea came back. She closed her eyes. “Could I have some ice chips instead, please?” she asked. 

Lisa did better with those. They soothed her thirst and she no longer felt sick.

The nurse asked, “Are you ready for a visitor?”

Lisa nodded, and her boyfriend Peter came in. He sat on the edge of her bed. 

“You okay?” he asked. “You don’t look so good.”

Lisa nodded. “Yeah, just a little nauseous.” 

Peter waived his hand. “What smells?”

“I puked. Sorry.” 

“How do you feel?”   

“Like I was out drinking all night.”

Peter waited until the nurse stepped far enough away that she couldn’t hear. 

“No, I mean now that it’s over. Any regrets?”  

“Peter, not now.”

“I’m sorry. I’m just having a hard time with this.”

The nurse came back to check on Lisa.  

“When can she leave?” Peter asked. 

“As soon as she can keep something down, use the bathroom. Won’t be too long.”

Peter had always been good to Lisa. She knew that someday he would ask her to marry him. Even now, after what she’d put him through. He’d brooded about her indiscretion for days but he forgave her. Still, he didn’t want her to have the procedure. She remembered the argument.  

“It’s not right. It’s a sin. We’re Catholic for Christ’s sake. I don’t care if it ain’t mine. We’ll get married, and I’ll adopt it.”

Lisa knew she wasn’t ready to be a mother and doubted Peter would make a good husband.

“Who’s the father?” he’d demanded.

“Does it matter? I made a mistake, I’m sorry. Can we leave it at that?”

“I know the guy. Is that it?”

“No, you don’t. And it’s better if it stays that way.”

“Can you at least tell me how many times you cheated?”

“Once.”

“Once?” 

“Yeah, imagine my luck.” 

“Does the father know?” 

“No. And I’m not telling him.” 

The nurse brought some apple juice and asked, “You feeling better yet hon?”  

Lisa smiled yes. As soon as the nurse stepped away, Peter asked, “Are we still going to Brian’s?” 

“Yes.”

“Why? Do we have to?” 

“It’s close by and I can rest. Don’t worry, he’s working. I have his key.”

“I’d rather take you home.” 

“Are you kidding?” She whispered so no one would hear. “You want me to sit on that train for a freaking hour? My mother will flip out when she sees me like this. What do I tell her? Oh, I skipped work to have an abortion? No. Take me to Brian’s.”  

“Is he the father?”

“Keep your voice down. No. Just a friend.”

They were silent for a bit. Peter worried whether he could ever trust her again. Lisa’s guilt about what she’d done to him made her wonder if she’d made the right decision.

The nurse broke the silence. “Do you think you could use the ladies’ room?”

Lisa said yes, and the nurse walked her to the bathroom.  

After being discharged, they took a cab to Brian’s.

“I’m gonna take a nap,” she said. Lisa went to the bedroom and climbed into Brian’s bed.   

Peter watched TV in the living room. After a while, he stuck his head into the bedroom. Seeing Lisa awake, he asked, “Are you okay?” 

“I could use some Tylenol,” she said. 

Peter checked the bathroom. “None in here. Guess I’ll run out and buy some.”

“Look in the kitchen.”

Peter did as she suggested. He looked in the cupboards, shuffling things around, searching behind cereal boxes and cans. Utensils rattled as a drawer opened, then slammed shut. The noise stopped, and Lisa heard the tap running. Peter walked into the bedroom holding a bottle of Tylenol and a glass of water. 

“Here.” He handed it to her. Lisa took two pills and then gave back the empty glass.  

“I thought you said you’d never been here before.” He stood with his arms folded in front of his chest. “How’d you know where he kept the Tylenol?”  

Lisa frowned. “I didn’t. It was a guess. Don’t your folks keep any meds in the kitchen?”

“I don’t know if I can believe anything you say.”

“Look, I’m not lying. I’ve never been here before. And Brian, first, he’s not the father, and second, he’s just a good friend from work.”

They started arguing again. The same argument they’d had when she first told him of her infidelity, only more heated. 

“Yeah, you’ve been fucking Brian,” Peter said. “Who knows how many other guys you’re screwing behind my back.”

Stung by his accusations, she decided to tell him the truth. At this point, Lisa didn’t care if she hurt his feelings.

“I wasn’t going to tell you who the father was, because,” she hesitated. “Well. I figured keeping it a secret from you would be the best thing to do. So, I lied. I never cheated on you. The baby was yours. If you knew you were the father, you’d never let me have the abortion.”

Peter raised his hand to strike her. Lisa stared at him, daring him. He froze for a moment, then dropped his arm and stormed out of the apartment. 

*

Steven Bays was born in Greece but at the age of two immigrated to the US, where he was raised in Brooklyn, New York. He always dabbled in writing but took it seriously after retiring from a thirty-five-year career in telecommunications. He enjoys long walks, listening to music, working out at the gym, and playing guitar in a rock-and-roll cover band. His stories have appeared in various online magazines.

Shooter Flash: “Pool Wolf” by Robin Dennis

I pull the handle and the door nearly comes off in my hand. I take a plate as thin as a sucked Polo, thin enough to crack over your knee. Just the weight of it puts me off my dinner. 

Dad’s busy at the sink like all this is normal. Maybe it is normal for him now. But if it’s normal now, then it must’ve been normal before; you can’t just change who you are. All that time he must have been pretending, hiding the fact that he can live like this. 

He turns to me, then turns back without speaking, like I’m miles away. There’s barely enough of him to dry up the dishes. 

*

He takes me to his room in the attic. He shows me the banister over the stairs. He puts my finger on a groove in the wood. He asks what I think made it, the groove in the wood. 

We sit at the table, and I can’t leave until I eat. In Africa, kids are starving. They lie with flies in their eyes, bored as horses. I guess it’s normal for them. 

*

Wednesday’s swimming, so we go to the pool. Dad pays us in and sits on a fold-out bench with his fists on his knees. 

I bob in the water, swim to and fro. The wolf doesn’t seem to be here today. I ask someone if he is, and he says no. Underwater, I open my eyes wide enough to check the grates, blood beating in my ears.  

*

In bed I watch Steven Seagal put holes in people and roll their bodies off his boat. I can hear him in the attic, the man who was here before. I can see him on the stairs, a rope round his throat – perfectly still, as though he’s floating. The plates are his. The plates and pretty much everything else. He made the marks and the rips on the lino, broke the cupboard door. My dad just came and took it all. 

*

The wolf’s back on Wednesday, walking on hind legs and running his claws along the walls – plaster crumbling, wires pissing sparks. One’s dancing like a snake, shooting fire across the tiles, and I wonder what’d happen if it went in the water. Sparks falling like upside-down fireworks, glutting the bottom with gold. 

He takes a woman’s head off and her girl starts to cry. She’s young, maybe five. He takes a bite and drops it, then disappears round the corner to the little pool, through the footbath that connects the two. I look to my dad, but his bench is empty, folded up. A lifeguard’s already coming over with a bucket and mop. 

* * *

Robin Dennis is from the East Midlands, and teaches English in southern Germany. His writing has previously appeared in Stimulus Respond.

Shooter Flash: “The Last Day of the Rest of Your Life” by Johanna Bernhuber

It’s the first day of middle school and you’re still in bed. I laid out your clothes for you last night, warm from the dryer and freshly folded. Now, I pour your juice, flip your pancakes, and call your name for the third time. You already sleep like a teenager, though you’re one year and two months short.

Summer has been long. Your hands are more used to a fishing rod than a pen. Every day you trail grass and dirt into the house from your sneakers; your bare feet spatter chlorine trails across the kitchen floor. School seems like an impossibility after two months of total freedom.

You slouch to the counter and eat, monosyllabic. My upbeat chatter bounces off you like a cartoon forcefield. You carry your breakfast things to the sink and I give you a hug, which is momentarily accepted. I’m proud of you, I say, feeling the bird bones of your shoulder blades beneath the thick sweatshirt. You’ll do great. 

I hustle you out the door and grab my own keys, handbag, scarf. You hoist your new bulletproof backpack over one shoulder. We play your music in the car as you gaze out the window: wide front lawns, trees dripping crimson leaves. The right turn to your old school, where we turn left. You can probably ride this journey on your bike but not yet. For now you’re safe in my car.

I pull up at the kerb and can’t resist smoothing your hair, though you shrug me off. A big kid now. Have a good first day sweetheart, I say. You get out and swing your backpack over both shoulders. 

When you shut the car door, you stoop and give me a small wave. I can tell from the look on your face that you’re being brave, masking the nerves. A new school, new kids, new teachers. Part of you wants to get back in the car and drive back to summer, even as you lope toward the stone steps. I put on a big smile and wave back, thumbs up. I keep looking, and waving, just in case you look back again, one last time. 

You climb the steps alongside the other kids and all of you wait, one by one, to pass through the metal detectors, into the unknown.

*

Johanna Bernhuber is a psychologist who has written for the Chicago Sun-Times, and has published short fiction and nonfiction in Whitefish Review and Denver Quarterly. She has three children and lives in Illinois with her husband, one dog, and too many books.

Shooter Flash: “In the Wake Of” by Elizabeth Vidas

She caught Stan coming out of the bathroom, one hand down his pants as he fumbled with his shirttails.

“Stan, come with me,” she said. “I have something to show you in the hydrangeas.”

Not the most seductive line, but Stan was her second-to-last target, she was tired, and he would certainly follow her into the bushes or under the kitchen sink if she asked. Sure enough, in five minutes she had undone his carefully tucked dress shirt, and he was grasping at her breasts with puffy palms.

Stan was the twelfth man Louisa had kissed that night. Most had been easy marks, though the professors were suspiciously self-assured: they grabbed her waist or hiked up her leg as if used to younger, suppler limbs. Only one – a grad student – had seemed ill at ease. He’d stammered, acting calm, but there was sweat on his mustache. She’d reconciled herself to a quick peck.

She crossed the lawn to the bar, a fold-out table draped in white cloth. Pouring a martini, she glanced around. Her garden looked well, of course. The Cambridge wives chatted vigorously next to the hydrangeas, determined to play at normality. Their husbands stood beside them, subdued. The pockets of guests had thinned out – Louisa smiled into her drink, thinking that soon she would be in a Manhattan studio. She would call Hannah from social-work school, and they would meet at Café Figaro. Maybe she would even look up some Sacred Heart girls; she assumed they were still on the Upper East Side. Scrutinizing their perms and reminiscing about Sister Margaret’s mole might be a laugh. 

She eyed her final target. David was standing by what she called the baby fountain, a cherub holding a bird bath. She stepped from stone to stone on the garden path until she reached him. He looked down as she approached, giving his Dark and Stormy a swirl. They watched the amber tornado settle in his glass.

“This is one of your better parties,” he said.

“Well. It’s not every day one’s husband retires from teaching and married life.”

He sighed. “Louisa.”

It was petty, but she wouldn’t admit it, so she looked towards the garden instead. The last of the guests were leaving: some gave fake, cheery waves while others walked determinedly towards their cars. 

“I kissed all your friends.”

“You did what?

“I kissed all of them. Paul and Jared were a little gropey – I think they’re used to a student set. And Aaron was mechanical. He’s been handsome for so long, he must rely on muscle memory now. Stan was greedy—”

“You kissed Stan?”

“That’s what shocks you?”

“Louisa, what are you doing?”

“I’m kissing all the men. Because after twenty years, I don’t owe anything to anyone. I didn’t join the wives’ book clubs or go to your colleagues’ asinine lectures—”

“So I’m responsible for that? Twenty years ago you were so prophetic you thought you’d save yourself the trouble?” 

“I didn’t save myself from anything.”

The porch light went on, and Louisa glanced over automatically. Inside was the sofa bed where he’d been sleeping. Each morning he was gone by the time she woke up; seeing his reading glasses on the wicker table always gave her a stomach cramp. Just two round lenses, but somehow they conjured the arc of his lips, the hair between his eyebrows he refused to pluck.

“I’m going to kiss you, David.”

He said nothing, looked at the porch lights. It amazed Louisa that he was leaving her for an older woman – an unattractive one, no less. She’d seen her at the university, gray bob and blue blazer. Louisa put a hand between his shoulders and turned his face towards hers. His mouth was motionless, his eyes unfocused; she suspected he was parleying with Elaine in his mind. She kissed him, and they were back at the café in the Village, where she’d leaned across the checkered tablecloth as he’d described Plato’s chair. Where he’d confessed how he’d been scared of the man-sized monkeys in Wizard of Oz. He was squinting through his glasses at the opera; he was folding them into his pocket before grabbing her by the vest, kissing her in front of the Washington Square Arch, and she knew she would follow him to the end of the earth, into any hydrangea bush, or onto the porch bed, as she did now.

*

Elizabeth Vidas is a writer and teacher living in Montpellier, France. Her short story “Smoldering” will appear in the upcoming issue of Western Humanities Review.

Shooter Flash: “Meta-metamorphosis” by Andreas Smith

As Gregor Samsa awoke one morning from awful dreams he discovered that he had changed in his squalid corner into a little man. He stood on his two pale legs, stretched out his two pale arms, stifled a scream, and nearly fainted.

This was no dream.

In the opposite corner his parents were fast asleep, head to head, their antennae lovingly entwined and their hard brown backs glinting in the first rays of the sun. Nearby his young sister, half sunk in the soggy green morsel of bread she had been sucking on for the whole of the previous day, looked almost angelic as that same sunlight crept towards her under the kitchen cabinet. All three slept on contented, engorged and satiated with life’s bounteous harvest, as if nothing at all could go wrong in this, surely the best of all possible worlds. It was, then, a typical morning in the life of a normal, happy family of cockroaches.

But something had gone wrong – something terrible. Gregor shivered, pulled a piece of foil from an old ball of dust and hair, and wrapped the foil round his shameful nakedness. A rusty pin, for months lying barely noticed in the den, he now took up and thrust through the foil to secure it.

His sister stirred first and, seeing the thing her brother had become, emitted a deranged clicking noise as she frantically pursued herself in circles. Not that the parents were much calmer: they scrambled out of the den onto the kitchen floor at the sight of their son’s transformation, their beloved handsome son, now this… this monster. The father, recalling his position as master of the den and realising, as cockroach patriarchs always have, the danger presented by the vast desert of a recently mopped kitchen floor, forced his wife back under the cabinet to the safety of the den, with its moist, fetid air, rotting fragments of food, and years of dirt drifted into random heaps. The three huddled together and, afraid even to blink, gawped at Gregor. He stretched out an arm, friendly or threatening, it mattered not: his father, drawing on his old reserves of cockroach courage, dashed at his son, butted him in the groin, and knocked him flat. Never was a snout put to better use than this! Meanwhile, wife and daughter, instinct conquering fear, rolled everything roundabout towards Gregor’s corner – dust balls, breadcrumbs, meat and cheese pellets, spent matchsticks, mucus-encrusted tissues – till Gregor was imprisoned behind a barricade of rubbish. He got up, brushed himself down, once again secured his modesty with the rusty pin, and peered through a gap in the barricade. “Father, mother, dear sister – it’s me, Gregor, your beloved son and brother!” At the awful noise, incomprehensible and unearthly, the family backed off. Certainly it was a Gregor, but of what sort?

Mother’s tears seeped.

But time moves on. Gregor’s sister, hunger again gnawing at her belly, crawled over to her putrid soggy green breakfast and sank her face in it. Mother poked her wet snout through the gap and, despite everything, gazed lovingly at her son. He was busy tidying up his corner, as if disgusted by the lovely filth in which he had been fortunate enough to be hatched. It pained her to see how ungrateful he now was as he gracelessly paced back and forth on his thick and ugly white legs, his once comely face now an ugly mask of disgust and disapproval. Father, dining on a dainty morsel of rotten bacon and occasionally glancing through the gap, suddenly brought up the contents of his stomach and, no doubt stirred by fatherly obligation, vomited them towards Gregor (his only son, after all). But Gregor, even more disgusted than before, ignored his father’s offering. Let him starve then, like the countless ungrateful wretches before him!

As the days passed and the old normality became a faded dream, the family learned to bear their affliction. It was unfortunate that Gregor’s mad repugnance at filth and squalor had led to his living quarters deteriorating into a state of the utmost cleanliness (his poor house-proud mother could hardly bear to look), but even more disturbing was his rejection of any food at all, even the splendid lump of cat vomit his sister, at immense effort, had barged all the way across the kitchen to the den and then through the gap – only for her beloved brother to turn his back on her! So, while they gorged themselves on the fruits of the earth, Gregor, whose share of these fruits was his by right, became thin and weak, and was soon just a bag of bones, whining and wheezing and muttering gibberish to himself in his corner, the food that he once relished no longer the equal of his fastidiousness. No one now bothered to shore up the crumbling barricade: only a fantasist would look upon its pathetic prisoner as some dangerous monster, plotting evil against the world as he lurked in infernal cleanliness.

It was the mother’s mournful scrabbling which announced Gregor’s final end. There was much moistness in their eyes that morning, though it soon dried up. Life goes on, after all. They considered eating Gregor, but an old taboo, its origins lost in the mists of time, held them back. His parents dragged the corpse to the cat bowl at the far end of the kitchen. On returning to the den, they were pleasantly surprised to see that their daughter, stretching her many legs and tucking into a tasty titbit of something or other, was on the verge of becoming a fully grown cockroach in her own right, indeed a great beauty.

*

Thus did Hermann Kafka, canny businessman and father of Franz, an obscure author, strive to outdo his son, whose literary ambitions he scorned. But the son was more cunning than the father imagined: he stole his father’s crude fairy-tale, turned it on its head, and wrote a Metamorphosis of his own.

* * *

Andreas Smith has published stories in several UK literary magazines, including Monk and Storgy. He has also written several novels and is now represented by the David Grossman Literary Agency in London. He lives in County Durham and works as a freelance editor, though he sometimes travels to India for several months at a time to write in cafes while drinking chai and watching cows pass by.