Shooter Flash: “Red Light Green Light” by Johanna Bernhuber

Mornings were always rushed, but Angie was particularly antic today – racing around, playing, not getting dressed when asked for the twentieth time. Susan had ten minutes to get her to school and she wasn’t even dressed yet herself.

“Come on!” she bellowed, as Angie tore past wielding a set of streamers like the Olympic torch. “Get dressed now!” And before she could push it away: You little shit, she thought. 

Delete, delete, delete, she thought frantically and froze. She could hear nothing but the sound of Angie playing, still not getting dressed.

Susan hurried to the bathroom and looked in the mirror, peering closely into her eyes. Her heart seized when she perceived, deep within the right pupil, a speck, not of green, but of red.

She ran into Angie’s room, where the child was finally struggling into her sweatshirt. Susan grabbed her slim, warm body and hugged her tightly. “I love you,” she said. “I love you so, so much.”

“Mom!” Angie protested, squirming. “I’m trying to get dressed!” But her little face was smiling, and when she finished pushing her arms through the sleeves, she threw them around her mother’s waist and returned her hug.

Maybe it’s alright, Susan thought, stroking Angie’s smooth hair and dropping a kiss upon her head. It was just a small blip. Maybe nothing will happen.

“Come on,” she said gently, kissing her one last time. “We’re going to be late.”

Together they got up and got ready to leave, Susan gathering Angie’s backpack, water bottle and jacket while Angie strapped on her shoes. She threw on a long coat over her pyjamas. The house looked like a hurricane had hit it, but Susan resolved to tackle the mess later, once Angie was safely in school.

They reached the door, opened it, and were halted by a man dressed in gray on the doorstep.

“No,” Susan gasped, clutching Angie. 

“Mrs Harber,” the man said. “We received an alert of a verbal infraction.”

“No,” Susan gabbled, “it was nothing. I was just trying to get Angie dressed and now she is, you see, and we have to get to school. She’s late as it is. We must get going, will you please let us by?”

“Verbal infractions need to be followed up,” the man said, waving forward a woman, also in gray, who waited behind him. “Let’s have a little chat.”

The woman held out her hand to Angie. Susan hung on.

“You musn’t,” Susan gasped. “She’s very well looked after. I look after her, all the time, every day. I love her, you mustn’t take her.”

“We just need to speak with your mom,” the woman said to Angie, ignoring Susan. “You come with me. I’ll get you a special treat, would you like that? But come now otherwise you might get into trouble, and you don’t want that.”

Angie looked up at Susan. Her hazel eyes, always so beautifully clear, shone with worry. Her mouth quivered. “Don’t worry Mom,” she whispered. “It will be ok.” She eased from Susan’s arms and went with the beckoning woman, who led her to a van parked on the street in front of the house.

Susan tried to go after her, but the man in gray blocked her path.

“Shall we?” he said, gesturing into the house.

Susan sobbed, Angie having melted from view, and turned helplessly to retreat into the house, collapsing on the nearest sofa. The man perched on a neighboring armchair and leaned forward.

“Mrs Harber, I am Agent Blain,” he said. “Do you know why I’m here?”

“Yes,” Susan said, miserably. “But it was only a split second, a careless moment. I was frustrated. It didn’t mean anything. I love my child, more than anything. It was just a moment.”

“Mrs Harber,” the agent said, “life is made up of moments.” He paused. “That’s why moments are important. Do you feel unable to perform the day-to-day duties of motherhood?”

Susan shook her head vigorously. 

“No, not at all. I mean, I’m fine – I’m in control. I’m happy.” She smiled awkwardly, against the tears. 

“You may think it’s just one thought, but our research shows that actions – negative actions – don’t occur without the negative thoughts that precede them. With right thinking, right actions follow.”

Susan nodded, kneading her hands in her lap.

“It won’t happen again,” she said hoarsely. “It’s never happened before.” Forcefully, she pushed I’m not lying I’m not lying across her brain.

“It’s true this is your first infraction,” said Agent Blain, standing up and adjusting his jacket – the one all agents wore, with the high, circular collar. “And as such we will return your child to you, with a warning. But we will, you understand, have to take some precautions. Including placing you under elevated watch.” He moved to the door and, as he opened it, Susan could see the woman in gray leading Angie back up the path to the house. 

“You’d better get this one to school,” the woman said, releasing her with a pat on the back.

“Yes of course,” Susan said, flooded with relief. “Right away. Thank you.” She knelt down to hug her daughter close, but felt Angie stiffen.

“Are you ok?” she asked, pulling back to look at her. In the background, the agents’ van pulled away from the kerb. Angie looked slightly dazed.

“Why did you think that?” she whispered.

“Oh sweetheart,” Susan said, feeling stabbed through the heart. “It wasn’t about you, it wasn’t. It was just – you weren’t cooperating, and I felt stressed. I didn’t mean it. It wasn’t something I said.”

“But you thought it.” Angie’s voice rose.

“That’s not the same. You can’t always control your thoughts.” She hesitated, then added, “But we do have to try.”

“That’s what the lady said.” Angie looked up, frowning, and met Susan’s gaze. Looking into her eyes, Susan caught her breath.

Deep within Angie’s right pupil, surrounded by the soft flecked gold of her iris, glowed a bright speck of green.

Which then, within Angie’s accusatory face, abruptly flicked to red.

* 

Johanna Bernhuber is a psychologist who has written for the Chicago Sun-Times, and has published short fiction and non-fiction in Whitefish Review, Ginosko and Denver Quarterly. She has three children and lives in Illinois with her husband, one dog, and too many books.

Shooter Flash: “Pool Wolf” by Robin Dennis

I pull the handle and the door nearly comes off in my hand. I take a plate as thin as a sucked Polo, thin enough to crack over your knee. Just the weight of it puts me off my dinner. 

Dad’s busy at the sink like all this is normal. Maybe it is normal for him now. But if it’s normal now, then it must’ve been normal before; you can’t just change who you are. All that time he must have been pretending, hiding the fact that he can live like this. 

He turns to me, then turns back without speaking, like I’m miles away. There’s barely enough of him to dry up the dishes. 

*

He takes me to his room in the attic. He shows me the banister over the stairs. He puts my finger on a groove in the wood. He asks what I think made it, the groove in the wood. 

We sit at the table, and I can’t leave until I eat. In Africa, kids are starving. They lie with flies in their eyes, bored as horses. I guess it’s normal for them. 

*

Wednesday’s swimming, so we go to the pool. Dad pays us in and sits on a fold-out bench with his fists on his knees. 

I bob in the water, swim to and fro. The wolf doesn’t seem to be here today. I ask someone if he is, and he says no. Underwater, I open my eyes wide enough to check the grates, blood beating in my ears.  

*

In bed I watch Steven Seagal put holes in people and roll their bodies off his boat. I can hear him in the attic, the man who was here before. I can see him on the stairs, a rope round his throat – perfectly still, as though he’s floating. The plates are his. The plates and pretty much everything else. He made the marks and the rips on the lino, broke the cupboard door. My dad just came and took it all. 

*

The wolf’s back on Wednesday, walking on hind legs and running his claws along the walls – plaster crumbling, wires pissing sparks. One’s dancing like a snake, shooting fire across the tiles, and I wonder what’d happen if it went in the water. Sparks falling like upside-down fireworks, glutting the bottom with gold. 

He takes a woman’s head off and her girl starts to cry. She’s young, maybe five. He takes a bite and drops it, then disappears round the corner to the little pool, through the footbath that connects the two. I look to my dad, but his bench is empty, folded up. A lifeguard’s already coming over with a bucket and mop. 

* * *

Robin Dennis is from the East Midlands, and teaches English in southern Germany. His writing has previously appeared in Stimulus Respond.

Submit to issue 19: Coming of Age

General submissions are now open for the Autumn/Winter 2024 issue, themed Coming of Age.

We’re looking for stories, essays, memoir and poetry on anything to do with the transition to adulthood: first love, hormonal angst, Saturday jobs, brushes with the law, experimentation, gaining independence, losing virginity. Literary reflections on books that made an impact during late adolescence would make particularly welcome essays. Tales of college and first steps on the career ladder are also relevant.

Writers should send short stories and non-fiction of 2,000-6,000 words and/or up to three poems by the deadline of October 20, 2024. In addition to thematic relevance, we seek engaging, elegant writing that maintains a high literary standard. Please visit the submissions page for guidelines.

We look forward to reading your work!

Issue #18: Nightlife

When night falls, new worlds open up. The time after sunset is typically the domain of romance: dinner dates, cocktail flirtations, dancing as a prelude to going home together. Bad things, also, happen more easily under cover of darkness. Criminals prowl and monsters lurk. For Shooter’s Nightlife issue, many writers were drawn to tales of the latter, and so this edition ended up developing a pulsing vein of supernatural horror.

It also turned out to be a particularly strong edition for poetry. Featuring the work of ten poets (including the 2024 Shooter Poetry Competition winner, Maryah Converse, for her political “Web of Resistance”), the issue opens with two poems that capture something of the essence of the night: “as you light up” by Dilys Wyndham Thomas and “Shivering Out” by Paul atten Ash. (The latter takes the form of a “golden shovel”, plucking lines from Sylvia Plath’s “Full Fathom Five” and using each word at the end of each line in his poem: “You float near / As keeled ice-mountains / Of the north, to be steered clear / Of, not fathomed.”)

Partygoing – raves, gigs, midnight celebrations – feature in Miguel Cullen’s “Deep Mourning Dream”, Laurie Eaves’ “Ode to My Favourite Security Guard at Kentish Town Forum” and Warren Woessner’s “New Year’s Eve – Tribeca – 1984”, yet the euphoric antics are frequently laced with sadness, loneliness, or nostalgia. Casey Lawrence’s short story “The Hunt” also stalks this terrain, though with a delicious supernatural twist.

Sleep, of course, forms another obvious element of the nocturnal realm, along with one of slumber’s mortal enemies: offspring. In her poem “nightly rodeo”, Michelle Penn crafts a delightful lyric metaphor for this sort of challenge to sleep. Two prose pieces – the fictional “Acetaminophen” by Charles Cline and non-fiction “Sleepless Nights” by Laura Healy – arrive at the intersection of sleep and children, and take off in very different directions. “Zones”, a poem by Jeff Skinner, plays with the idea of counting sheep in different time zones around the world. In “Little Slices of Death”, another personal memoir, Lisa Simone Kingstone charts the impact of drug-induced insomnia upon her life during cancer treatment.

Two fiction writers, Ross Anderson and Harley Carnell, explore the devastating emotional and physical impacts of night-time shift work in “The Sleep of Reason Begets Monsters” and “Long Night” respectively, about suicide hotline workers and food delivery drivers. Jenny Danes, in “Case History”, and Gillian Fielder in “Standing on the Bridge” evoke similarly resonant, poignant scenes of confusion and distress in their poems.

For the most part, the writing in the Nightlife issue conjures states of fear and menace, loneliness and struggle, but two prose pieces also inject joy and humour. Craig Aitchison shares his fascination with bats in “Small Packages of Delight”, while J D Strunk’s “Clean Kill” depicts a midlife-crisis camping trip gone wrong with comic suspense.

And yet, even there, fear still plays a part – so if you tend to be spooked by the shadowy forces of darkness, perhaps best to enjoy Shooter’s Nightlife issue as part of your sunlit breakfast reading.

To order a copy of the Nightlife issue, or any other edition, please visit the Subscriptions page.

Shooter Flash: “Friends First” by Danni Silver

People always asked why we weren’t together. Some were genuinely perplexed that two people with our spiritual chemistry took things no farther than friendship. Others needled, certain that we secretly wanted each other, or that one of us was hiding an unrequited passion.

My friendship with Scott sprang from business drinks in a small New England town, where I was working as events manager at the arts center and he was organising a music festival. As we started to enjoy the conversation and order more cocktails on expenses, we progressed to topics close to our hearts: movies, bands, outdoor adventures. He summoned a friend, Theresa, to join us and we moved on to a more raucous bar, and then another, our ranks swelling along the way.

Scott had a talent for picking up strangers. Charismatic, funny and offensive in equal measure, he was unafraid to talk to people or make a fool of himself. He attracted attention and divided opinion, but those who were drawn to him – almost always women – revolved around him, saucer-eyed satellites to his gravitational pull.

As our friendship grew, I stood by him when he cheated on his girlfriends and defended him when people in our community griped about his provocative comments and drunken antics. We laughed at the suspicions of others who doubted our motives with each other. Everyone assumed we were sleeping together, or had at least fooled around, or kissed, or something. So many conventional people in our small town; we were determined to be unconventional.

We notched up record-worthy hours in each other’s company, to the eye-rolling of his roommate. When Scott adopted a dog one winter, we took it out together last thing at night, clinking the ice cubes in our glasses of whiskey and trying not to slip along the dark, snow-packed alleyway.

That winter our friendship was two years old. I took pride in the purity of my platonic friendship with Scott. I took pleasure in the constancy of my position. He spun through women like a kid on carnival rides. He had aspirations to write and manufactured drama so he would have experiences to mine. “Let’s make it interesting,” he would say when we went to a bar or an art opening or a party. He usually did.

Some of Scott’s girlfriends lasted longer than others; some held privileged positions in his heart, far beyond the breakup. But the fact was, after a certain point they were no longer around, and I was.

He told his girlfriends that he loved them early on, sometimes in the first week. Their interpretation differed from his meaning. There was a correlation between how soon Scott uttered – or, more typically, let slip in half-sleep – the ultimate romantic declaration and the lifespan of the relationship.

I castigated him for such careless avowals. He was leading these women on, collecting hearts like scalps.

He laughed it off; it wasn’t his responsibility if people took him seriously. “I love table. I love chair,” he said.

When I left Vermont to move halfway across the country for a new job, we spoke almost daily, texted constantly. When, yet again, he cheated on his latest girlfriend and bemoaned the depressing state of his stagnant existence, I offered him a room in my apartment that was opening up for the summer. I hid the fact of his dog from the landlady and reduced his rent, splitting the difference between my cheaper room and his.

Scott drove across country in his battered jeep with his belongings in the back and his dog riding shotgun. Having closed the geographic gap, it came as a surprise when, only weeks later, I sensed a strange distance between us. Amidst the proximity of our shared domesticity, Scott had started to withdraw from me. No rounds of direct discussion, polite civility, affectionate overtures or total avoidance could bring us back together.

Scott spent more time with other friends. He visited greenmarkets with an old roommate and basked in the naked devotion of a PHD dropout (a man, for once). He found an ad in a neighborhood coffee shop advertising guitar lessons with a local musician. She lived nearby and, sixty-dollar-hour by hour, Scott ensured his admiration became mutual. Out came the whiskey and the indie playlists. Through the flimsy door that separated our rooms, I could hear his barking laughter, her vocals scratching through lyrics like a tormented cat.

I suggested things might improve if Scott moved out of the apartment. He agreed, then lingered. Eventually, I decided to take the initiative. Scott moved into my room, which was larger than his, its three windows level with the treetops on our street.

One day after moving out, I ran into a mutual friend of ours. I filled him on on the developments in the apartment, right up to Scott taking over my room.

“Well, he won that chess game,” he said.

Somewhere, my relationship compass had swung off course and remained stuck, pointing my heart in the wrong direction. I had a history of intense friendships, complete with breakups more painful than any with boyfriends. I remained on better terms with my romantic exes than my platonic ones. In exalting friendship, I had placed too much of a burden upon it.

Recently, I met a man in a Spanish language class. I had considered, before the first day, that romantic prospects might be a bonus. Out of eight of us in the group, there were three men. No, no, no, I thought within the first minute of class.

One of them – the most talkative, ADD-riddled one – turned out to be funny, intelligent and unexpectedly gentlemanly. During post-class drinks, he lingered to chat with me. He wondered if I were “cajole-able” for movies, as his friends were tuned solely to the wavelength of Transformers. He asked if I’d like to browse an art market one Saturday afternoon, which segued into eating and drinking on a Saturday night.

Maybe it’ll go somewhere – but we’re becoming friends first.

*

Danni Silver is a pen name. She is a freelance writer based in Pittsburgh, USA, whose work has appeared in numerous magazines and news outlets across the country.

Shooter Flash: “Teenage Kicks” by Billy Craven

When we were young, there was a man in our town named Shotokan. He was pale and balding and sported a ponytail that was at once tragic and defiant. More importantly, he could dodge bullets.

Growing up in the suburbs in the 1980s, bullets were hard to come by so we were forced to take him at his word which I, for one, did happily. Anything that broke the monotony of housing estates and skinheads and the endless talk of unemployment was to be applauded. Whether you believed him or not, the very idea of Shotokan dodging bullets was a chance to dream of something beyond the ordinary.

Dodge might be the wrong word actually. As he explained it, it was less about dodging and more about bending the flow of the bullet around him. Everything had a flow, and everyone had the capability of disrupting that flow, but it took years of training, concentration and discipline. On summer evenings he would stand in the middle of the green wearing full karate garb. It was his Gi, he informed us, much to the delight of my friends. He had studied martial arts throughout Asia. He had mastered Bushido, Aikido and even Shen Long, and he was held in the highest esteem on the island of Okinawa. Along with his Gi, he wore a black belt with three red tips. He said the black of his belt was the darkest shade possible and the red was a reminder of the blood on his hands. When pressed on this he would get a faraway look in his eyes and remind us that Karate should only be used in self-defence, a lesson he had learned the hard way. 

Shotokan was the subject of ridicule among my friends, and though I laughed along with them, I noticed that nobody dared mock him to his face. The potential of his fighting skills and his supposed mastery of the dreaded Dim Mak technique kept the sceptics in check. And even if there were those who doubted his tales of unsanctioned death matches, the fact remained that standing in the centre of the green in his pristine white outfit performing his kata while twenty teens and children waited impatiently for a game of football, took courage. 

To me, his powers bordered on the supernatural and I would watch fascinated as he worked his way methodically through his routine, half expecting him to conjure a fireball in his gracefully twirling hands. He didn’t punctuate his movements with any sound effects, no hi-yahs or Bruce Lee wails, but the whip-crack of his loose fitting Gi as he performed roundhouse kicks and Karate chops against invisible enemies accompanied his strikes. He was a study of poise and concentration. His moves went from meandering and balletic to sudden and violent in the blink of an eye. None of us knew where he lived, which only added to his mystique, and we would never see him approaching the green. He was always just there, as though he had materialised from the earth beneath him. He became a fixture of the summer of ’88, as ingrained in my memory as the European Championships and Ray Houghton’s winner against England. I can still see him, side-kicking and leg-sweeping his way across the grassy surface, oblivious to everything but the imagined foe in front of him.

The summer was stuttering to a close and my thoughts were turning with apprehension towards secondary school. I’d been working up the courage to ask Shotokan if he would consider taking on a pupil, when he abruptly vanished. There was joy amongst the youth of our estate as they reclaimed possession of the green, reestablishing football in its rightful place above Karate. And while I shared in this general happiness I couldn’t help but wonder what could have caused his sudden disappearance. Had he returned to Okinawa to avenge his murdered Sensei? Was he fighting in some underground tournament on an exotic island in the Pacific? Maybe he was in Nepal, high up on a snowy peak, bending bullets, time and space to his will. I really didn’t know, but I was content to leave it a mystery, to let my imagination fill in the blanks. His absence would only enhance his legend and if, like me, you prefer the legend, then at this point you should stop reading. 

It was my friend Daragh who showed me the article in the local newspaper. He was waiting for me at the top of the road, a football in his hands. He handed me the ball and took a page from his back pocket, unfolding it carefully, like a treasure map. And there he was, not Shotokan, but Sean, his smiling face pictured above the caption: Sean Murphy (29) of Leixlip Park was struck by a car and killed in the early hours of Saturday morning. Grief and shock nestled in my stomach. I felt sick and strangely betrayed. He hadn’t gone anywhere. He wasn’t mystical. He wasn’t even Japanese. He was Sean Murphy. He was mortal, and now he was dead. Daragh folded up the page and snatched the ball from my hands.

 “You’re trying to tell me he could dodge a bullet, but he couldn’t dodge a bloody Toyota!” he laughed. He turned and booted the ball onto the green where a group had gathered to play. “Come on. You’re with me. We’ll be Brazil,” he said, chasing after the ball. I watched him run away and found I couldn’t follow. As he disappeared amidst the roiling bodies, I turned away and walked slowly home. 

It was late August and the summer evening light was waning. The sky in the west was a deep amber and the first chill of autumn could be felt on the breeze. In Japan, the people of Okinawa were sleeping soundly in their beds.  

*

Billy Craven is a teacher living in Dublin, Ireland. He has had short stories and poetry published in a variety of literary magazines including Ram Eye Press, The Madrigal and Paper Lanterns. His first full-length manuscript was longlisted for the Mercier Prize. Twitter/X: @billycraven2

Activism and injustice fuel this year’s winning poetry

The winners of the 2024 Shooter Poetry Competition share a sense of political and social injustice – one on a global scale, one at the personal level.

Maryah Converse won the competition with “Web of Resistance”, a compelling lyric palimpsest of activism that questions attitudes towards the ongoing war in the Middle East. The runner-up, “MS Multiple Choice” by Anna Mindel Crawford, adopts an innovative form to suggest the frustration and difficulty of living with chronic illness in the family.

Three other poets submitted strong entries to the contest: Megan Cartwright, Jet McDonald, and Suzi Mezei received honourable mentions for their poetry.

Both of the winning poems are available to read at the Competition Winners page. “Web of Resistance” will also appear in print in Shooter’s forthcoming “Nightlife” issue, which can be ordered at the Subscriptions page.

Prose writers get their turn during the second half of the year: the 2024 Shooter Short Story Competition will open to entries within the next few weeks.

*

Featured photo by Ehimetalor Akhere Unuabona

Shooter Flash: “Death of a Ladle Man” by Jet McDonald

Food had an algebraic quality in the prison canteen and Big Beef’s ladle was a large part of the equation.

X + ladle = Y

Where X was the most delicious part of any given meal and Y was the complete dish that arrived on any given plate. Although Big Beef’s ladle operated on an unpredictable scale, it was informed by clear mathematical principles, based on a system of nods, winks, and glass shards hidden in the palms of those with indeterminate sentences. Like most mathematical principles it hummed away quite happily beneath the surface of everyday existence without the need for explanation. To question how the ladle operated, or indeed to confront the operator, would be to question the integrity of an otherwise perfectly calibrated system. There was only so much meat and there were only so many scoops. Who had what could only be defined by the weighty apostrophe of Big Beef’s ladle.

So when he turned vegetarian and refused to man the stew bucket, the law of the ladle was thrown into a freefall of relativity that even the most erudite inmates found hard to grasp. Who would now judge the quantum of meat rationing? Who would explain the prison hierarchies that existed only within Big Beef’s muscly brain? Even the screws seemed restless, rolling the skeleton keys between their fingers like holy relics. 

The last straw was when Big Beef started listening to Leonard Cohen. There was only one vinyl record in the prison library, Death of a Ladies’ Man, and by common consent no one took it out to spin on the ageing turntable in the self-help section. The days were maudlin enough without the lugubrious poetry of a brooding Canadian. But Big Beef played it again and again and again.

The governor chose his moment. With two screws by his side he cornered Big Beef in the spirituality stacks.

“You gotta cut us some slack.”

“I ain’t for it.”

“No-one’s for it.”

“I mean I ain’t for no more Leonard Cohen.”

“Lose the double negatives.”

“I want more Leonard Cohen. Not less.”

“But it’s upsetting everyone.”

“I’m getting Love and Hate.”

The Governor peered curiously at Beef’s knuckles.

“The album Love and Hate. His Nashville period. Interlibrary loan.”

“If you don’t mind me asking,” said the Governor, with the kind of temerity that knows its place in the hierarchy of more violent mathematical forms, “why this sudden fascination with Leonard?”

“I speak with Buddha.”

“And what do Buddha and Leonard Cohen have in common?”

“Leonard loves Buddha.”

“And where did Buddha come from?”

“In the recreation yard. Next to Larry Lasso.” 

Larry Lasso was a brick tied to a rope, tied to a bag of drugs, that appeared over the prison wall on high days and holidays. The Governor and the other screws followed Beef back to his cell where he showed them the wall of bricks he had been building over the past year, one above the other; little quantums of material reality.

“You’re building a Buddha?”

“Nah. Buddha is in the bricks. Always the same. Always different.”

“I see.”

But the governor didn’t see. So he called in the chaplain.

“Why does Big Beef see Buddha in the bricks?”

“Buddhism operates under a series of contingencies in which each event is dependent on those around it. Every crime is a punishment. Every punishment a crime. Love is hate. Hate is love.”

“I see.” 

But the governor didn’t see. So he called in the librarian.

“Why does Big Beef see Buddha in the bricks?”

“Buddha believed in an interconnected universe hidden by a veil of consciousness. Part and whole are repeated again and again in Buddha and Cohen’s work, consummated in an ecstasy of ego death.”

“I see.”

But the governor didn’t see. So he called in Larry the Kebab.

“I think you might eligible for early parole.”

Larry smacked his lips.

*

The chaplain said they couldn’t build a wall tall enough to keep Big Beef in. So they had to use a wrecking ball to get him out. They played that Leonard Cohen record one last time as Beef made his way through the prison gates, his ladle by his side on the plywood base of the coffin. The small dent in his skull was echoed by the small dent in his ladle and had the fingerprints of Larry the Kebab all over it. But no one bothered to check.

“Friday night,” the governor told anyone who would listen, “is kebab night.”

“Freedom,” said the librarian, “is on a three-week loan.”

* * *

Jet McDonald is a writer, musician and psychiatrist. His first novel Automatic Safe Dog was nominated for a BFS Award. His second (non-fiction) book Mind is the Ride was shortlisted for a Stanford Travel Writing Award. His band The Woodlice have toured nationally and played on BBC 6 Music.

Shooter Flash: “Almost to the Point” by Jon Fain

After an early dinner on their last night in Provincetown, Rob and his daughter Mandy walked to the beach. Light reflected off the water, dappling the waves, and glimmered past a slow-moving boat, also lit up. There were mingled smells: grilled food, the sea, Mandy’s perfume.

The flash of Mandy’s phone reflected off her windbreaker. She’d barely spoken to Rob since he’d told her to stop taking empty water bottles out of the wastebasket. She would line them up on the dresser in their room, as if this was going to magically recycle them.

Besides her added height, she’d gotten moodier in the six months since he’d seen her last. She could switch on the sulk, a steady drip-drench. He didn’t need to share a wet blanket threaded through with I-Don’t-Want-To-Be-Here.

“If you’ve got something else you want to do, go ahead,” he said.

A staircase led from the beach to the parking lot behind the inn where they were staying, next to the sushi place where he’d watched her pick at her food. She could go join the kids from the night before, or maybe meet a new group on Commercial Street.

After she started to jog away, Rob called, “Not too late!”

She kept running on long bare legs, dark shorts, darker jacket, into the twilight. Fourteen was young, although sometimes not so. Forty-four was too, though also not really. 

The first time Mandy said she wanted to go explore on her own, he’d come out to this same spot, watched white sailboats anchored in the bottle-clear shallows. Then he’d walked along the water, the bay ruffling blue eastward. Ahead of him, a large dock, part of a complex of multiple buildings, stretched over the sand. It was a well-known cruising spot. The night before, after Mandy had fallen asleep, he’d considered it. Instead, he just remembered what it had been like under there. 

There was no reason to go there during the day unless you were a seagull or something looking for scraps. He’d taken out his phone and called his office to check on their progress with the new patient-focused software.

When she was eight, Mandy told Rob she liked that he was a dentist, because “people are scared of you.” At twelve, as Rob and Mandy’s mother Andi were splitting up, Mandy said that she’d read how a lot of dentists committed suicide, and she made him promise he wouldn’t do that after he moved out. Rob gave her some additional facts: her grandfather and great-grandfather, also dentists, had not done so. She said okay, maybe Grandpa, but since she’d never met her great-grandfather, how did she know he wasn’t lying? Like you lied to my mother, Rob thought she would say next.

Rob started walking the way his daughter had gone. He kept letting her go off on her own. They were supposed to be spending time together. 

When he came to the top of the staircase and into the parking lot, he was surprised to see her there. They met at the trunk of his car, as if they’d planned it.

“What happened?”

Mandy shrugged. She didn’t seem upset, just bored, or distracted. 

They went back to their room. Mandy had the bed and Rob the fold-out couch. He wasn’t being cheap, getting one room; he thought it would give them more time together. Luckily, there was a communal bathroom on their floor that was vacant most of the time while she was installed in their private one.

“Dad, did Mom tell you?”

“What?”

“Remember when you said I’d learn about life and death when I had a pet?”

He’d told her a lot of things. How could he not be a good parent? His patients were all kids. He asked them what flavor polish they wanted, bubble gum or mint? He played Santa with his gift bags of toothbrush, mini-toothpaste, and floss.

“Did you know Lila… We went to the vet and they put her to sleep?”

Andi had told him Mandy preferred to be called Amanda now, but whenever he forgot, she didn’t react. He hadn’t heard about the dog.

“I think she got sad when you left.” 

That was two years ago, he almost said.

 “Dad, is there something you want to tell me?” she asked after ten minutes passed, after he’d picked up his book.

“About what?”

“Why did we come here?”

“To spend time togeth—”

“Is there something you want to show me?”

“Besides that I love you very much?”

One reason that people came to Provincetown was surf-casting on Race Point. Rob thought it might be interesting to watch, if not actually to fish. But the weather had been cold for early October, and then it had rained. Mandy didn’t like that they would have to drive on the beach to get there. Cars and trucks on the sand were damaging to the environment. You might not encounter the dolphins your plastic bottles were endangering but you would hear the sand crabs cracking under the all-wheel-drive.

Rob turned on the TV. The screen showed the guide for all stations, and he scrolled through it. 

“Mom said you and your friend Ben met here, and maybe you wanted to show me the places you went.”

Andi would probably never forgive him. But would she ever stop trying to define for their daughter who he was? 

“Ben’s gone,” Rob said. 

“Does that mean you’re coming home?”

Speaking of suicide, he almost said.

He flicked through channels. Mandy went back to her phone. Outside, the tide was easing in. By dawn, the water would have risen under the large dock down the beach. Then, as the tugging of the new day drew it back, birds would hop along the wet-packed sand, beaks busy at the bubbles of buried things.

*

Jon Fain is a writer and editor living in Massachusetts. Some of his recent publications include short stories in A Thin Slice of Anxiety and The Argyle Literary Magazine, flash fictions in The Broadkill Review and Midsummer Dream House, micro fictions in Blink-Ink and ScribesMICRO, and a chapbook of flash fiction, Pass the Panpharmacon!, from Greying Ghost Press. Twitter/X: @jonsfain

Shooter Flash: “Drive” by S L Krutzig

The truck was Soda Pete’s pride and joy, pistol-silver and not a mark on it. He’d drive it three miles an hour round the high-school parking lot, engine growling so deeply you’d think it might pounce. Most girls – the prettier ones anyway – had taken a ride in that truck, but not Ida. She kept herself to herself and gave Soda Pete and all those other jocks a wide berth.

Still, she went to the football games like everybody else, cheering when the Roosters made a touchdown, smiling but shaking her head if a boy offered to buy her a hot dog or a slushie. Like her mama said – give a boy an inch and they’ll take a mile, and it was true. So Ida gave them no way in, and for the first two years of high school got a whole lot of sneers and jeers in return. Now, for the most part, the boys who’d eyed her and the green-eyed girls who’d noticed just left her alone.

But Soda Pete rocked up new this year, having moved to Kansas from Minnesota – hence the name, though boys sniggered about some other, secondary meaning. He hadn’t given up on Ida yet, having graduated from asking her out to hollering about her frigidity every chance he got.

Ida didn’t care. She had friends, the ones who didn’t care either. While most kids were obsessed with their crushes or the Friday game, she had her eyes cast over their shoulders, scanning for the world beyond high school. The world beyond Kansas.

All the same, for now this was the world she was stuck with, so after the game Ida walked down the track to meet Sass and Marcie-Lou at the field where kids gathered on Fridays. Without having to turn around, she knew who was on her tail when she heard the growling grow louder behind her, until it pulled level and Soda Pete leaned out the window on a burly forearm.

“Hop in, I’ll give you a ride,” he grinned. Ida shot him a quick smile in return, tight-lipped.

“That’s ok,” she said. “I’m alright walking.”

“What’s the matter, you need a limo or something? Don’t be scared, I’m not gonna hurt you. C’mon, hop in.” The field was coming into view. Ida gestured at it.

“We’re here anyway. It’s fine,” she said. “Thanks.”

Soda Pete scowled. “What’s the matter with you? You think you’re too good for anybody?” He threw the truck in reverse and shimmied behind her. Startled, Ida jumped aside, but not before he’d blasted the truck through a muddy puddle and sprayed her from head to toe.

“Stuck-up bitch!” he hooted out the window, roaring past.

“Jesus, what happened to you?” said Marcie-Lou as Ida turned up. Sass grimaced and rustled up some napkins.

“The usual,” Ida said, watching Soda Pete’s friends double over as he held court beyond the bonfire, leaning against his truck. The boys were on a high after their win. The mood was victorious, footballers high-fiving and cracking beers, girls tossing their hair and slinging glances. Soda Pete went to grab another beer and stopped to talk to Michelle along the way, whose flutey laughter floated over on the evening breeze. Ida started walking off.

“Hey!” called Sass. “Where you going?” 

Ida didn’t stop until she reached the open door of Soda Pete’s truck. No one paid her any attention; they were too used to making a point of ignoring her. She hauled herself up and, sure enough, he’d left the keys in the ignition. She slammed the door and turned the key. The moment his truck roared to life, Soda Pete noticed.

“What the—” he muttered, and started shouting, stumbling and slipping in the mud as he tried to race back. But Ida had the truck moving, and all Soda Pete and his boys could do was holler and watch as she tore around the field, Soda Pete red in the face and screaming bloody murder. Ida gunned the truck through the mud, girls squealing as the wheels sprayed up dirt and boys backing away. Ida hung out the window, one hand on the wheel.

“I thought you offered me a ride?” she yelled, skidding out of Soda Pete’s way, his face apoplectic, his truck decked brown. “I decided to take you up on it!” Even if she could only go round in circles, not quite sure how she was ever going to stop.

*

S L Krutzig is a reporter covering breaking news and government in Boise, Idaho. She has had short stories published in The Milk House, Revolution John, and PovertyHouse, and flash fiction in RiverLit. She was a finalist in the 2021 Hemingway Shorts Literary Journal Short Story Competition.