Shooter Flash: “Winter Camp” by Gary Finnegan

The middle distance absorbed her gaze. Her sleeves, her nerves, frayed. Moths had chewed holes in the coats of the children; the children had eaten nothing for days. Days had been given to a journey, to the mantra, ‘Things will be better when we get to the camp.’ 

Now, her five-lined brow, like sheet music without a note, knew hope was a hollow lie. To be hungry and afraid and uncertain and on the move was the second-worst state of being. Hungry, afraid, uncertain and stationary was worse by miles. 

‘Did you wash those hands,’ she said, clawing at the paws of the youngest, fussing at a tap. ‘Got to wash those hands every time here, okay? Every time. Or you’ll get sick, like her.’

She nodded towards the next tarp, the day-old home of a family nursing a preschooler through the vomiting bug that was pinballing its way through the camp. 

Her own youngest straw-haired child stood passive and slack as her mother worked the gaps between the child’s fingers with a cement-coloured flannel. 

‘Did you change that vest,’ the mother asked. ‘Gotta change damp vests or you’ll get sick.’

She was curt, she knew that, but child management was the only available task and had to be done with vigour. It was, she reminded herself, in the children’s interests that their mother maintained standards. If you slid into apathy, you accepted death’s call.

The child was silent, and had been since they arrived. The three of them – the father having stayed behind – filed down the line until they reached an unribboned tent. There they tied the piece of cloth collected at the gate around a pole ‒ their claim on nine square metres of shelter, open on one side to the brown dust and ceaseless flow of human anguish. 

‘When is food coming, Mom?’

The older child, listless now, spoke for her sibling, spoke for everyone in the camp. The mother changed tack, opting not to lie, not to say, ‘Soon, love, just wait another while.’ 

Instead: ‘I don’t know.’

Would it have been better to stay and spend their hope under a familiar roof? As she wondered, an unwelcome competitive instinct surged within her at the sight of more new arrivals. ‘They need to shut the camp,’ she exhaled in a whisper. ‘Place is full.’

How many could be fed here? How many could make it across the border when it reopened? Who would decide who stayed, who went, who ate, and how much? 

She could do nothing. And it killed her to seek help while wishing it were denied to others.

‘Come here to me,’ she barked at the eldest child. ‘Those socks need changing.’ 

*

Gary Finnegan’s fiction has appeared in Litro, The London Magazine, The Phare, Roi Fainéant and Flash Fiction Magazine. He is the winner of the Frazzled Lit Short Story Award 2025 and received an Agility Award from the Arts Council of Ireland in August 2025. He has an MA in creative writing from Maynooth University and is working on a novel. 

Unsettling Tales Scoop 2023 Short Story Awards

Alice Gwynn has won the 2023 Shooter Short Story Competition with her eerie, twisting tale, “The Ones Who Came Before”, while Edward Barnfield has come runner-up with his dystopian fiction, “Isolation”.

Shooter’s readers and judge, editor Melanie White, appreciated Gwynn’s atmospheric tale for its evocative descriptions and skilful handling of plot twists in a story with deeper undercurrents of identity and loss. Gwynn, a British ex-pat who lives in New Hampshire in the US, said via email that a trip to the UK last year inspired her piece, which is set in the grounds of an ancient castle. Gwynn writes flash fiction and poetry as well as short stories, and has previously published work in Prachya Review, Grey Sparrow Journal, Consequence Magazine, Wilderness House Literary Review, and elsewhere.

Barnfield achieved second place in the competition with “Isolation”, a subtle dystopian fiction with creeping menace that contest readers found particularly convincing. Barnfield, a researcher living in the Middle East, has had work published by Roi Fainéant Press, Ellipsis Zine, The Molotov Cocktail, Third Street Review, Galley Beggar Press, and others.

In addition to the contest winners, two writers gained honorable mentions for their stories: Bethany Wren, for “Rosemary, Patron Saint of Honey”, and Joe Wheelan, for “Unravelled”.

Both “The Ones Who Came Before” and “Isolation” are available to read on Shooter’s website, while Gwynn’s story also appears in the Autumn/Winter 2023 issue of Shooter, which is themed “The Unknown”. Print copies of the magazine can be ordered at the Subscriptions page.

The 2024 Shooter Poetry Competition will open early in the new year, while the 2024 Shooter Short Story Competition will open mid-year. Until then, prose writers are welcome to submit flash fiction and non-fiction to the monthly Shooter Flash contest on a rolling basis. General submissions for Shooter’s Spring/Summer 2024 issue will open to all in the new year.

In the meantime, happy reading, and happy holidays from Shooter Literary Magazine!

Shooter Flash: “A Good Son” by Sarah Macallister

Peter couldn’t come home for Christmas because his wife dragged him to her family. Susan always played the victim, but she was no wilting flower; she was a parasitic weed.

My son used to be an easy child. No tantrums. Other mothers had to tear themselves away from their children at the school gates, from guttural sobs that made your ears bleed. I pitied those mothers, who’d failed where I’d succeeded. 

I remember the first parent-teacher meeting. Mrs Forsyth sat across from us, wearing a frown and short hair. She reported that our son had stamped on another boy’s head. Peter never behaved that way at home. I knew it must be a mistake. At other parent meetings, we heard that he pulled hair, hit, stole food, and peed on a girl’s coat. Mrs Forsyth clearly didn’t like him, so I moved him to another school. After that, there were no bad reports. 

I started as keys jangled in the lock. Harold whistled and threw open the front door. 

“Something smells good! Baked a cake?” He squeezed around the table and pulled me into his stout stomach. Fruity hops blossomed from his mouth.

“Been at Dopey Does?”

“Don’t you mean The Staggering Stags?”

We snickered together, as if this was the first time we’d made this joke. After I knotted my pinny, I glugged oil into the frying pan and ignited blue flames. Bubbles frisked in the oil and I slid raw meat to sizzle. I laid the table with chutney and a vase of dried honesty. We tucked in. Harold drank another pint and the amber beer glowed while he tipped back his head.

“Heard from Peter today?”

“No, he’s too busy. Working late, poor boy.”

Cake for pudding. Harold poured custard over his bowl. Steam spiralled while he rummaged for a spoon, clanking the cutlery, and shaking the table as he shuddered the drawer shut. I ate mine with a dessert fork.

Not long after Harold climbed into bed, he was foghorn snoring. The harder I tried to ignore it, the more frustrated I grew, until tears streamed into my pillow. Rain lashed the roof and windows, the wet whipping of a cat o’ nine tails. The doorbell rang. 

I swiped my cheeks and flurried downstairs in my nightie. I clicked the hall lamp. My neck shivered as I reached for the handle. It was so late. Who could it be? An outline blurred in the pebbled glass. A man’s height.

“Mum?”

Only Peter. I fumbled to unlatch and clasp the handle, ready with my welcome smile. My thoughts drifted to the kitchen. I opened the door and threw a glow into the seething chattering darkness, which swallowed it whole.

Rain-dark hair plastered his scalp and he looked white, sick. As I fell back to let him enter, my smile fixed, he planted himself on the threshold and leaked on the flagstone floor.

“Peter, are you alright?”

He shook his head and shuddered within the sodden coat. His eyes wouldn’t meet mine.

“You’re cold,” I said, desperate to shut the night out, but Peter only stood by the door and twitched.

“Come in, love.” He shuffled forward and I sealed us safely inside. I trundled off to the kitchen and flicked the kettle to boil, tipping bags into red cups. I wondered whether to give Peter some cake.

“I made a mistake.” Peter spoke slowly, each syllable dropping like the rain. He hovered under the kitchen doorframe, coat on and dripping wet. I could not make the kettle boil any faster. I didn’t know what to do with my hands, so I turned and smiled.

“What?” I asked, but I didn’t want to hear. “Wait, let’s get you dried off first.” I wanted to scurry for towels and clothes, but Peter was blocking the doorway as he answered my question.

“I made a mistake.” His voice broke and a croaking, throaty gurgle slithered into my kitchen, raw like uncooked meat.

“Oh, everyone makes mistakes, darling. Now let’s get you warmed up with a nice cup of—”

He looked me right in the eye.

“A mistake,” he spat back at me. “Susan’s gone.”

Something unfamiliar crawled across Peter’s face. A sneer. He was sneering at me. 

Boiled water steamed from the kettle, its innards raging with bubbles, until the dainty click snapped it off. I turned my back on Peter and poured the tea. 

“Would you like your bag left in?” 

He didn’t reply, so I took a teaspoon and squeezed the bag against the side of the cup before fishing it out. I was meant to say something. My pathetic mother, he was thinking, who can’t face reality, whose eyes are cross-stitched shut. I didn’t know what to say. 

I held the scalding cup against my palm, so the handle faced Peter. He could either take it, or watch my face strain to remain calm as hot china burned my skin. He took it like a good son.