Issue #18: Nightlife

When night falls, new worlds open up. The time after sunset is typically the domain of romance: dinner dates, cocktail flirtations, dancing as a prelude to going home together. Bad things, also, happen more easily under cover of darkness. Criminals prowl and monsters lurk. For Shooter’s Nightlife issue, many writers were drawn to tales of the latter, and so this edition ended up developing a pulsing vein of supernatural horror.

It also turned out to be a particularly strong edition for poetry. Featuring the work of ten poets (including the 2024 Shooter Poetry Competition winner, Maryah Converse, for her political “Web of Resistance”), the issue opens with two poems that capture something of the essence of the night: “as you light up” by Dilys Wyndham Thomas and “Shivering Out” by Paul atten Ash. (The latter takes the form of a “golden shovel”, plucking lines from Sylvia Plath’s “Full Fathom Five” and using each word at the end of each line in his poem: “You float near / As keeled ice-mountains / Of the north, to be steered clear / Of, not fathomed.”)

Partygoing – raves, gigs, midnight celebrations – feature in Miguel Cullen’s “Deep Mourning Dream”, Laurie Eaves’ “Ode to My Favourite Security Guard at Kentish Town Forum” and Warren Woessner’s “New Year’s Eve – Tribeca – 1984”, yet the euphoric antics are frequently laced with sadness, loneliness, or nostalgia. Casey Lawrence’s short story “The Hunt” also stalks this terrain, though with a delicious supernatural twist.

Sleep, of course, forms another obvious element of the nocturnal realm, along with one of slumber’s mortal enemies: offspring. In her poem “nightly rodeo”, Michelle Penn crafts a delightful lyric metaphor for this sort of challenge to sleep. Two prose pieces – the fictional “Acetaminophen” by Charles Cline and non-fiction “Sleepless Nights” by Laura Healy – arrive at the intersection of sleep and children, and take off in very different directions. “Zones”, a poem by Jeff Skinner, plays with the idea of counting sheep in different time zones around the world. In “Little Slices of Death”, another personal memoir, Lisa Simone Kingstone charts the impact of drug-induced insomnia upon her life during cancer treatment.

Two fiction writers, Ross Anderson and Harley Carnell, explore the devastating emotional and physical impacts of night-time shift work in “The Sleep of Reason Begets Monsters” and “Long Night” respectively, about suicide hotline workers and food delivery drivers. Jenny Danes, in “Case History”, and Gillian Fielder in “Standing on the Bridge” evoke similarly resonant, poignant scenes of confusion and distress in their poems.

For the most part, the writing in the Nightlife issue conjures states of fear and menace, loneliness and struggle, but two prose pieces also inject joy and humour. Craig Aitchison shares his fascination with bats in “Small Packages of Delight”, while J D Strunk’s “Clean Kill” depicts a midlife-crisis camping trip gone wrong with comic suspense.

And yet, even there, fear still plays a part – so if you tend to be spooked by the shadowy forces of darkness, perhaps best to enjoy Shooter’s Nightlife issue as part of your sunlit breakfast reading.

To order a copy of the Nightlife issue, or any other edition, please visit the Subscriptions page.

Submissions open for “Nightlife” issue

General submissions are now open for Shooter’s Spring/Summer 2024 issue, themed “Nightlife”.

Writers should send short stories and non-fiction of 2,000-6,000 words and/or up to three poems by the deadline of May 12th. Stories, essays, memoir and poetry should relate to nocturnal happenings: dating, working the night shift, crime, clubbing, dinner, sex, partying, witchcraft, ghosts, childbirth, insomnia, even nocturnal wildlife.

The theme is open to wide interpretation, but writers should adhere to the submission guidelines. Other opportunities currently open to writers include the 2024 Shooter Poetry Competition and Shooter Flash, which accepts entries on a rolling basis.

Shooter Flash: “Gentleman’s Relish” by A. S. Partridge

Ryan scrolled through his cache of hotties, looking for the girl eating watermelon. He’d accumulated mostly blondes and the golden manes blurred into a comet streak down the screen of his phone. Quickly, he scanned for the flash of crimson. He needed a quick reminder before their date, for which he was going to be late. Not that he cared.

There: the juicy bite, the tilt of the head, the sexily blackened eyes stopped him like a traffic light. Jana. They’d been messaging for about two weeks. The usual banter, followed by sexting, plus a bonus shot of her in a latex nurse outfit. 

Conveniently, Jana had agreed to meet him at the Looking Glass Cocktail Club, right around the corner from his apartment building, a new five-story development thrust up against a railway arch down a dingy Shoreditch side street. Ryan pushed into the cocktail bar and immediately spotted his date, perched at a corner table, crossed legs punctuated by four-inch stilettos.

“Heyyy,” she squealed, struggling upright to smooch him on the cheek and enveloping him in a fragrant mist.

“Jana. Good to finally meet you.” Ryan deepened his voice slightly. “Can I get you a drink or,” he nodded in the direction of her fruity concoction, “are you okay for now?”

“I’ll have another,” Jana purred, twisting a lock of hair around her finger.

Ryan went to the bar and ordered his usual, a Gentleman’s Relish – gin, something ginger, rhubarb bitters and a splash of tonic – and a Twisted Sister for Jana, with its exclamations of citrus rind. By the time they’d covered the standard topics of work, travel, and where they’d grown up, Jana was leaning into him, fingering the edge of his jacket.

“Your texts were really funny,” she said, “but I didn’t realise what a sweetheart you’d be in person.”

“No-one at work knows that about me,” Ryan sighed, looking deep into her eyes. “They all think I’m a robot. But I feel comfortable with you. You have such a calming energy.” Jana’s eyes grew large as she smiled back at him: widening pupils, a sure sign of attraction.

“Let’s get out of here,” he murmured.

Jana seemed amused to discover how close by he lived, but she more than willingly tottered over to his place. They kissed in the lift, and by the time Ryan opened his front door, Jana was clawing him like a cat on a scratching post.

He’d tidied up beforehand. The duvet – a masculine brown – was smooth on the bed. The side lamp cast a dim glow. Ryan pulled her onto the bed and resumed kissing her, stroking her back until she was ready for more. Soon enough, Jana rose and started tugging at the buttons of his shirt. He eased off her top, plucking open the buttons of her jeans in preparation, then turned his attention to her chest. As he ran his hands over her curves he realised, with disappointment, that her bra was heavily padded. Quickly he reached around to unhook the back but as the bra fell away, Jana flattened him and pressed her mouth ardently against his.

He let her writhe around on top of him for a while, then flipped her over and reached into her jeans. Jana’s hips began moving more violently against his hand and soon she yanked herself upright, peeled off the rest of her clothes and began tugging at Ryan’s trousers. She seemed pretty intent; he might get away without using a condom. She wasn’t pausing. He was just going to let her ride.

When it was over, Jana collapsed beside him. She was panting and sweaty, but Ryan didn’t mind, now that it was finished. He let the dopamine wash him into a doze.

Later, he woke to Jana padding back from the bathroom, fully dressed.

“Hey,” she whispered, leaning over him. “I have to go.”

“Okay,” he said, feeling relieved. It was still ridiculously early; the sky past the edge of his blind glimmered weakly against the dark steel of the elevated railway tracks.

“Thanks,” she said, lowering to kiss him.

“Thank you,” he stirred himself to utter with sincerity.

The next few weeks were rammed as usual. He fit in a few fresh Tinder dates, keeping up the rotation. He thought about following up with Jana, but decided not to bother.

He was snatching lunch in the middle of a frantic day of meetings when his phone pinged and the watermelon materialised on his screen.

Hey Ryan, hope you’re well. Can we meet up this weekend?

Ryan smirked, fingers hovering. She’d probably been waiting for him to contact her while the frustration built to volcanic proportions. Why not see her a second time, he figured, starting to tap a reply. Toss her a pity bang. Then delete her.

He met Jana for dinner at a Vietnamese restaurant along the roaring Kingsland Road. He was there first this time and failed to recognise her when she walked in, wearing a blue sweater, flats and a bare face. Pretty cocky to make no effort, he thought. She strode over and coolly kissed him on the cheek. Where was watermelon girl? All her flirtiness had dissolved.

“Red or white?” he asked, feeling disgruntled. He took his time scanning the menu. Not much of a face to look at tonight anyway.

“I’m not drinking,” she said, settling down. He could feel her eyeing him. Jesus, was she about to give him a hard time? Ryan figured he’d get a glass of the more expensive Sauv Blanc, if he was just buying for himself. A large glass.

“Maybe I should get a bottle anyway,” he said, trying to shift the mood. “I’ll drink for two.” Her face split into a satisfied grin. At last. Maybe this wouldn’t be so bad after all.

“Perfect,” she said, opening the menu, “as it turns out that I’m eating for two.”

*

A. S. Partridge has published poetry, flash fiction, and short stories in numerous magazines including Aurora, Malahat Review, Popshot, Scribble, and others. She lives in Edinburgh, where she is working on a satirical novel about motherhood.

(Photo by Dainis Graveris on SexualAlpha)