New project: Shooter Flash

Now and again, writers ignore the length requirements for the magazine and we get submissions on the shorter side that are painful to reject. Sometimes we publish them anyway.

However, it became clear that we weren’t accommodating a lot of talented authors. In recognition of the abundance of brilliant short-short story writers out there, we’re excited to announce a new project: Shooter Flash. Now, we have a forum exclusively for authors of prose shorter than 1,000 words, with a rolling competition to spotlight one story each month on Shooter’s website. In addition to online publication, winning writers will receive £50, and their work will be included in an annual anthology sent to all of Shooter’s subscribers.

For guidelines and further details, please visit Feel free to email with any questions. And poets, no need to feel left out – the 2021 Shooter Poetry Competition is also currently underway.

We can’t wait to read your work – good luck!

Submissions open for Dark Arts

Submissions are now open for Shooter’s winter 2022 issue, themed “Dark Arts”.

We’re looking for stories, essays, memoir and poetry to do with enchantment and scheming, in any context. Black magic, witchcraft and wizardry are the obvious subjects, but we welcome wider interpretations of the theme: anything to do with political manipulation, backroom dealings, romantic plotting, duplicitous gamesmanship, or charismatic trickery is sought. As ever, whether rooted in realism or fantasy, supernatural or sci-fi, please ensure writing adheres to a high literary standard.

Writers should send short stories and non-fiction of 2,000-6,000 words and/or up to three poems, adhering to the submission guidelines, by the deadline of November 7th, 2021. Weave your literary magic, make us fall for your poetry, and grip us with your most masterful prose!

Escape issue brims with weird holidays & bizarre breakups for ultimate Covid-era evasion

During the Covid-19 era, escape has proven more difficult and perhaps, as a result, more craved than in “normal” times.

Given booming book sales since March 2020, evidently many people have achieved escape through imaginary means: armchair tourism of a sort more accessible than plane travel and foreign holidays.

Of course, there has been not just escapism to seek, but suffering to escape from as well. The series of lockdowns has forced unhappy couples to confront insurmountable differences perhaps more successfully ignored in ordinary times, when socialising with friends or disappearing to the golf course were distractions taken for granted. More seriously, rates of domestic violence have risen, with some women and children finding themselves dangerously confined with violent men.

Several contributors to this summer’s Escape issue have directly engaged with consequences of the coronavirus. Heather Holland Wheaton, in her opening story “I Wrote My Name on the Back of the Sky”, imagines a Covid-era opportunity to escape, quite literally, into great works of art. For a non-fiction take on transcending lockdown isolation, Alexandra O’Sullivan explores venturing into virtual reality with her son in her essay “Into the Net”.

Family dynamics and relationship breakdowns connect much of the work, not just in terms of people extricating themselves from marital bonds, but with regard to separation’s effect upon children as well. Jim Toal’s story “The Only Child” charts the experience of a boy sent to stay with his uncle near a remote coast while his parents hash out their divorce elsewhere. In “Saturday Night”, by Angelita Bradney, a rare date night combined with an accident at home pushes one woman to acknowledge the truth about her marriage.

A last-ditch holiday to repair a couple’s relationship following unbearable tragedy proves the final nail in the coffin in Colin Dunne’s “The Human Tower”. The issue’s second non-fiction piece, “Bittersweet” by Jennifer Furner, examines the conflicting tensions of early motherhood and the sense of guilt at needing time away from a young child.

At the more light-hearted end of the spectrum, a hapless holidaymaker finds himself caught up in a marital spat in Anthony Kane Evans’ “Faustine”, while the protagonist of “Meat” is forced to make the ultimate sacrifice in Kate Venables’ vision of the zombie apocalypse.

The Escape issue happens to begin and end with the only two pieces featuring neither family nor romantic relationships. Michael Pacheco wraps up the edition with his prison tale, “The Breakout Artist”, whose inmates find ways out other than over the jailhouse walls.

Throughout this edition’s pages, the poets (James McDermott, John Davis, Amy Malloy, Ann Weil, Sarah O’Connor and Beth McDonough) inject sharp jolts of insight, exhilaration and levity. Last but not least, the 2021 Short Story Competition winner, Lucy Thompson, drips a trail of sticky suspense through her compelling tale, “Honey”.

As it happens, Thompson’s story also fits the Escape theme: a woman trapped by her husband’s coercive control finds a most unusual source of liberation – and revenge. For a truly inventive way to flee an undesirable situation, look no further than this year’s winning tale.

Cover art by C R Resetarits

To order the Escape issue or sign up for a subscription, please visit the Subscriptions page.

The 2021 Poetry Competition is now open to entries, and the theme for the winter 2022 issue will be announced imminently  stay tuned!

Violent undercurrents propel winners of 2021 story contest

“Honey”, a suspenseful tale by Kent-based writer Lucy Thompson, has won the 2021 Shooter Short Story Competition, with Lisa Blackwell’s story “Daddy Longlegs” landing second place.

Thompson’s winning story gripped competition readers with its carefully woven depiction of domestic abuse, leading to a gratifying climax. In an email, Thompson described her inspiration for the story as “too much news”, saying that a radio program about coercive control merged with the sight of beehives at an unusual house to spark the story in her mind.

A former marketing executive, Thompson balances writing with the demands of her two teenage children, partner, and Labradoodle Maisie. Her work has appeared in Black Static, Dawntreader, Firewords and elsewhere, and she is currently working on her first novel. 

The competition’s second-place story, “Daddy Longlegs”, struck readers with its insightful, poignant suggestion of the cycle of violence and its effect on a young boy. Blackwell, a copy-editor living in London, has published fiction in the Bath Short Story Award Anthology 2019, MIR Online, TSS, Reflex Press, and elsewhere, and has also written poetry and plays. She is currently studying for a master’s degree in creative writing from Oxford University.

Both stories are available to read online, and “Honey” will also appear in Shooter’s forthcoming Escape issue. Huge congrats to this year’s winning writers!

Animal Love issue to benefit Spanish Stray Dogs UK

Late one night in March 2013, hungry and bedraggled after the flight from London to Malaga, I walked into a farmhouse kitchen in southern Spain and met one of the loves of my life.

There were other people around, but I only saw him. He made a beeline straight for me. Not tall, dark and handsome, but definitely two out of the three, and far more hirsute than the average gent. The connection was undeniable: We were drawn to each other right from the start.

So far, so romance novel, but there were some key departures from the genre. There was a significant age gap (he was only about six months old), but then I’ve always preferred younger men. Our embrace preceded speech: I knelt to the floor (he was also quite a bit shorter), he leapt into my arms, and I scooped him up into a full-body snuggle. Looking up at the owner of the cortijo, I said, “Oh, I love him! I want him!” She replied, “You want him? You can have him.”

Robbie, along with five other pups found dumped in the nearby streets, had been taken in at Cortijo Uribe. The British couple who ran riding holidays there had decided to rescue some of the region’s multitude of abandoned mutts and find them forever homes. I spent five days getting to know Robbie, forcing myself to consider the commitment: daily walking, feeding, companionship for most of the day, medical care, training and love, for the rest of his life.

Adopting Robbie certainly changed my life. The initial adjustment to a home-bound existence came as a bit of a shock; dogs inevitably curtail your freedom. But the bond we shared was a deep delight. Robbie saw me through family crises, romantic breakups, and seven house moves. He slept on my bed every night and curled near my desk while I worked. We rose together, adventure-walked together, dined out together. When my daughter was born in 2017, he endured the early years of noise and interrupted nights with stoical acceptance.

We moved from London to establish our family life in the countryside, where Robbie survived a severe gastric illness in early 2019 only to develop intestinal cancer the next year. At just turned eight, after a last supper of chicken and ham, Robbie died in my arms beneath a tree on the grass, with a jolt that I’ll never forget. As Anne Pinkerton writes in her essay “Humane”: “I howled like a wolf when it was over, stunned by the rapidity of the process and painfully bereft.”

The theme for Shooter’s 12th issue, Animal Love, happened to be set shortly before discovering Robbie’s cancer. Consequently, not only has the issue turned into something of a tribute to him, but in his honour ten percent of the issue’s profits will go to Spanish Stray Dogs UK, a registered charity working to rehome the abused and abandoned dogs of Spain. If you wish to learn more about the organisation’s work, make a donation, or consider adopting, please visit

I hope, as you read the stories and poetry in this issue, that you enjoy the transporting levity and engaging provocation of a lot of the pieces. These are, to say the least, difficult and isolating times for most of us, and we might like to read lighter fare than usual as a result. You will find plenty of heartening, diverting and insightful work in these pages. Please go to the Subscriptions page to order a copy.

If, like an increasing number of people during the Covid-19 pandemic, you do decide to welcome a dog into your home, I hope you will look into adopting one rather than buying a puppy, and weigh up the real commitment a dog requires. Many people, finding themselves at home more than usual, are currently acquiring dogs. While that seems like a good thing, if people then find, post-pandemic, that they no longer need to be home as much and therefore no longer wish to look after them, abandonment will rise as well.

One benefit of rescuing a slightly older dog, at least in my experience, is being able to skip the early period of intense housetraining. And if you think it would be a shame to miss the fluffy furball stage, let me assure you that, right up to the point it gets curled into a memorial locket, fur can become even softer over time with all that stroking.

– Melanie White

Jo Gatford wins 2020 Poetry Competition

Jo Gatford, co-founder of Writers’ HQ and author of White Lies (2014, Legend Press), has won Shooter’s 2020 Poetry Competition with “The Case Against Pockets for Women”.

Gatford’s poem plays on the historical lack of – or inadequate size of – pockets in women’s clothing, a sartorial gender disparity commented upon by many from Christian Dior to Invisible Women author Caroline Criado Perez. (The latter’s commentary on the subject recently led to YouGov research into the matter.) The poem’s ironic, imaginative argument and feminist bite made it the clear winner of this year’s contest.

Also embedding social commentary of sorts, Emma Wood earned second place with “I know you sent him to boarding school”, delivering an emotional gut punch with insightful observation and powerful imagery. Wood has just earned a Creative Writing MA with distinction from Surrey University, and writes poetry in between working on children’s adventure fiction.

A few other poets on the shortlist worthy of mention include David Butler for “Light Rail”, Marilyn Timms for “Miscarriage of Justice”, and Rod Whitworth for “Polyphemous”.

Jo Gatford is on Twitter at @jmgatford, and her website is Emma Wood is on Twitter at @Emz_Wood.

Both winning pieces are available to read via the Competition Winners page, while “The Case Against Pockets for Women” will also appear in Shooter’s Winter 2021 edition (the Animal Love issue), which will be published in the new year. To subscribe to Shooter or place a single issue order, please visit the Subscriptions page.

We hope you enjoy the winning poems – feel free to let us know your thoughts in the comments!

Submissions open for “Animal Love” and Poetry Competition

Shooter has reopened to submissions for its upcoming winter issue, themed Animal Love, as well as the 2020 Poetry Competition.

We’re open to short fiction, non-fiction and poetry to do with all creatures great and small, wonderful and wild, exotic and beloved. Meaningful, offbeat and/or humorous writing on pets, exotic species, encounters in the wild, veterinarians, equestrian sports, animal shelters, or anything that revolves around humans in relation to other species is welcome.

We’d especially like to see work that concerns animals other than dogs and cats, as those are likely to figure prominently. However, the quality of the writing and storytelling is, as always, the paramount consideration, and the theme is open to wide interpretation. Deadline: October 18th. Please visit the Submissions page for further guidelines.

The 2020 Poetry Competition is also open to entries, with no restriction on subject or style. Poems can be up to 100 lines long and multiple entries are allowed. The winning poet will receive £150 and publication both in the winter issue of Shooter and online, while the runner-up wins £50 and online publication. All entrants receive an e-copy of the winter magazine, featuring the winning poem. For guidelines on how to enter (deadline November 1st), please visit the Competition page.

Writers who are familiar with the type of work that we publish are often more successful; past and current issues of Shooter are available to order via the Subscriptions page. We look forward to reading your work – good luck!

Clements’ “Corpse Flower” wins 2020 short story contest

Rachel Clements has won the 2020 Shooter Short Story Competition with her historical fiction, “Corpse Flower”, about a female botanist working at Kew Gardens in the Victorian era.

Clements’ compelling story, with its convincing historical setting and unusual botanical angle, transported contest readers into the world of scientist Miss Ives, an outsider both at work and at home. Clements drew inspiration for the story from an article about the corpse flower and its noxious scent.

“I was fascinated by the idea that a gorgeous and rare plant could be compared to something so unpleasant as a decomposing corpse,” Clements wrote in an email. “I decided to situate the story in the Victorian era because I felt this would give me an opportunity to explore the experiences of women in this time period – more specifically single women and women working in the sciences.”

Clements, a Cheltenham-based graduate of the University of Gloucestershire’s creative writing program, has previously published work in Popshot Magazine and the Evesham Festival of Words anthology, and also won the University of Gloucestershire’s 2017 novel writing competition. She is on Instagram at @reader_writer_rachel.

The competition’s runner-up, Albert McFarland, achieved second place for his imaginative tale “The Price of Haman”. Contest readers were delighted by this offbeat parable about a husband’s quest to fulfill his wife’s shopping list, with a surreal and deadly twist. McFarland, who lives in California, recently had his first short story published by Phantom Drift.

Several other writers on the competition shortlist were singled out for the strength of their entries. Honourable mentions in this year’s competition include:

Jodie Bond, “The First Woman”

John Buckley, “The Away Match”

Robert Stone, “Cymbeline” and “Missing”

Both “Corpse Flower” and “The Price of Haman” are available to read via Shooter’s Competition Winners page, and Clements’ winning story will also appear in print in Shooter’s 2021 winter issue.

General submissions for the winter issue, as well as the 2020 Shooter Poetry Competition, will open within the next few weeks. In the meantime, to catch up on the best in new literary fiction, non-fiction and poetry, please subscribe to Shooter!

Fear of the unknown fuels Supernatural issue

HP Lovecraft, one of the early-twentieth-century masters of supernatural literature, wrote that “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” From Edgar Allan Poe to Shirley Jackson to Stephen King, the best of eerie storytelling draws upon this fundamental idea. Good literary horror mines strange and disturbing phenomena without trying to explain it away; it conjures unnerving scenarios, whether paranormal or psychological, without relying on overt shock tactics of blood and gore.

With this in mind, we gathered the spookiest and most darkly delightful tales and poetry we could find for Shooter’s Supernatural issue. Bodily transformations – some welcome, some less so – proved a popular theme, also reflected in cover artist James D Mabe’s take on the Daphne myth. Sophie Panzer’s “The Tribute” opens the issue with a magic mirror that, like the mirror in Snow White but with enhanced powers, makes its heroine the fairest of them all. Employing a similar tone of twisted urban fairytale, Lauren Friedlander explores what happens when her protagonist grows an inconvenient appendage in “Tail”. In the issue’s finale, “Big” by Sean Marciniak, an underdog gains immense strength along with his burgeoning size, with earth-shattering consequences.

Classic supernatural figures like ghosts and the trope of haunting arise in tales like Suzi Bamblett’s “The Girl on the Swing” (with the added fear factors of disturbed or dead children) and in poems like Anastasia Stelse’s “Façade”, about a possessed, and possessing, ruin. A witch, another classic type, lurks at the heart of Jennifer Moore’s “All Ye Who Enter Here”. Strange death prognostications combine suspense with dark comedy in “Winter”, Erik Wennermark’s tale of doom. And in our one non-fiction piece of the issue, Lania Knight investigates different mystical techniques to excavate past trauma in “I Find My Three Girls”.

Witnessing a suicide and its subsequent apparition ruins an adulterous affair in Joe L Murr’s “The Long Drop”, while the dead adjust to the afterlife in David Rogers’ “Exile”. Although not strictly supernatural, Katy Darby’s “Duct tape, milk, shilling, towels” imagines Sylvia Plath’s preparations for her own demise, and the poem’s haunting evocation of the famous poet’s end earned it first prize in the 2019 Shooter Poetry Competition. (In addition to appearing in the magazine, the poem can also be read on the website, along with runner-up Nikki Robson’s owl poem “Strix aluco”.) Other poems by Jen Huang, Tom Daley, Sal Drennan, Avra Margariti, and R Bratten Weiss punctuate the issue with metaphysical disquiet, Gothic creepiness, and, in not one but two cases, visceral placentas.

“Fear of the unknown” seems particularly timely during these cold months, as British citizens contemplate the post-Brexit era, Americans evaluate their next (and current) president, and Australians reel from unprecedented, raging bush fires (to mention just the countries that form the base of Shooter’s readership). As Aristotle theorised in his Poetics, the purpose of fictional terror (back then, in Greek plays) is to effect catharsis of emotions like fear in real life. So perhaps the best we can do to prepare for mortality, climate change, tyrannical leaders and global annihilation, is to read some quality supernatural fare. Shooter is, as always, at your service.

To order a copy of the Supernatural issue or an annual subscription to Shooter, please visit the Subscriptions page.

Darby wins 2019 Poetry Competition

Katy Darby, a novelist and accomplished short-story writer, has proven her lyric prowess as well by winning Shooter’s 2019 Poetry Competition.

Darby, founder of live fiction event Liars’ League in London, said she composed the winning poem, “Duct tape, milk, shilling, towels”, in a Hackney pub during a Sylvia Plath-themed event hosted by Poetry Brothel London. Darby’s evocative poem conjures the poet’s preparations for her notorious demise.

Although in recent years Darby has focused more on prose (with her novel, The Unpierced Heart, published by Penguin), she has previously won the Frogmore Poetry Prize and the New Writer Poetry Collection Competition. She has an MA in Creative Writing (Prose) from the University of East Anglia.

Shooter’s runner-up in the poetry competition, Nikki Robson, crafted a well observed and resonant poem, “Strix aluco”, inspired by a tawny owl. Robson (a previous contributor to Shooter with a pair of poems in issue #5, the Cities edition) has previously won first prize in the Elbow Room competition and been highly commended at Wigtown and Carers UK. She holds an MLitt in Writing Practice and Study from Dundee University, and her poems have appeared in journals and anthologies including Acumen, Under the Radar, The Lake, and Scotia Extremis. She is from Northern Ireland and lives in Scotland.

Both poems are available to read on Shooter’s Competition Winners page, and Darby’s winning poem will also appear in the forthcoming Supernatural issue, out next month. Huge congratulations to both poets for their compelling work!